A camel foams at the mouth as he is whipped by a robot jockey during a race at Nad al-Sheba on December 6, 2006 in Dubai, United Arab Emirates. This is the first season that robotic jockeys have been used to race camels in Dubai. Controversially children from India were used to ride the camels in past seasons. These robot jockeys costing 15000GBP and up, were designed in Geneva and include shock absorbers and GPS tracking systems. The camel's owners control them from their speeding four wheel drives at the side of the track. (Photo by Chris Jackson/Getty Images)

5-year-old Rina Kumari rubs her eye while cracking stones on the banks of Mahananda river in Siliguri, northeast India, March 5, 2005. Over 400 million people in India live below the internationally agreed poverty line (living on less than US $1 per day). According to estimates, several hundred thousand children work as labourers and beg on the streets in India. (Photo by Desmond Boylan/Reuters)

A light-up bow whose arrows are advertised as flying up to 145 feet and the “Catapencil” – a pencil with a miniature slingshot-style launcher on its end – are on an annual list of unsafe toys released Wednesday by a Massachusetts-based consumer watchdog group. World Against Toys Causing Harm, or W.A.T.C.H., issued the “10 Worst Toys” list to remind parents and consumers of the potential hazards in some toys as the holiday shopping season gets underway. (Photo by Charles Krupa/AP Photo)

A costumed fan attends Comic-Con International 2014 – Day 1 on July 24, 2014 in San Diego, Calif. (Photo by Joe Scarnici/FilmMagic/Getty Images)

Charlotte fights a monster with a “wand” in her bedroom in Laure Fauvel's “Terreurs”, 2014, in Paris, France. An imaginative photographer has brought to life monsters that haunt children's nightmares. Armed with sticks, wands and swords the eight and nine year-olds appear to be getting the upper-hand against the villains. Parisian photographer Laure Fauvel, 22, said: I wanted the children not be victims and to fight the monsters. (Photo by Laure Fauvel/Barcroft Media)