Actress with the Donbass Opera Theatre prepares to perform Eugene Onegin in Donetsk, Ukraine, Saturday, February 7, 2015. For the few dozen spectators that turn up, the weekly performances at the city's opera house serve as a respite from the war raging outside between Russian-backed separatists and Ukrainian government forces. (Photo by Petr David Josek/AP Photo)

Visitors walk past the fully equipped dining table inside the “Crazy House”, which is completely built upside-down, in the village of Affoldern near the Edersee lake, May 7, 2014. Three friends came up with the idea to build the tourist attraction, which cost about 200,000 euros and took some six weeks to complete. (Photo by Kai Pfaffenbach/Reuters)

People appear dangling as a large-scale installation art piece by Leandro Erlich, named “Dalston House”, in London, England. Part of the “Beyond Barbican” summer series of events, the interactive installation is a full facade of a late nineteenth-century Victorian terraced house built on the ground with a large mirror above it to reflect people as to appear dangling from the structure. (Photo by Dan Dennison)

A dead body is seen on the ground after violence erupted in the Independence Square in Kiev February 20, 2014. Ukrainian protesters seized back Kiev's Independence Square in fresh clashes with riot police on Thursday that left several injured and possibly two demonstrators dead. (Photo by David Mdzinarishvili/Reuters)

A section of multi-vehicle accident on Interstate 75 is shown in Detroit, Thursday, January 31, 2013. Snow squalls and slippery roads led to a series of accidents that left at least three people dead and 20 injured on a mile-long stretch of southbound I-75. More than two dozen vehicles, including tractor-trailers, were involved in the pileups. (Photo by Paul Sancya/AP Photo)

Living on the edge of Exmoor, Rob takes his inspiration from the rolling countryside surrounding his home, where each Bough House sculpture takes several months to construct. The designs do not follow an explicit plan or process, each piece is unique. They evolve and flow freely, as part of a creative journey which has no natural limit, whilst also revealing great logic and engineering integrity. Every aerial walkway or staircase leads to a room - there are no dead-ends and every turret and tower can be reached.

Architects Christophe Berdaguer and Marie Péjus get scary with this sculptural,bogey-inspired arts center in France. Situated behind the severe Synagogue de Delme, the center's design transforms an old house, which previously served as a prison, a school, and most recently a funeral home. The new intervention draws inspiration from the latter, cloaking the structure in a white veil of molded concrete that creates a "living body" which expands into the surrounding areas of the house.