Nobumichi Asai has used projection mapping to put CGI onto cars, docks, building and more. What is his latest canvas? A real, live human face! Asai used Omote, a combination of real-time face tracking and projection mapping to transform a model's face into mesmerizing patterns. It's called “electronic makeup”, but as you will see in the (creepy-ish) video, it goes much, much beyond anything makeup can possibly do.

“Creepy crawlies have become stunning examples of the natural world in these incredible close-up pictures. Photographer Kutub Uddin, 28, snapped the tiny creatures in a forest near his home of Bognor Regis over the course of the summer. Taken in close-up using special macro lenses and filters, he managed to turn house flies, damsel flies and wasps into gorgeous jeweled works of art. Kutub said: “I found the bugs in the forest near where I live when I was taking pictures”. – Cater News

“A happy camper has shown he has the world at his feet by capturing a series of breath-taking mountain views from his tent. Russian Photographer Oleg Grigoriev, 35, travels with little more than a tent and his camera taking snaps of the mountainous terrain of central Asia and Eastern parts of Europe. The adventurous lawyer, who lives in Ukraine, started camping in remote mountainous areas in 2007 but only came up with the concept of photographing views from his tent after a memorable trip to the Fann Mountains of Tajikistan”. – Caters News

Project Mermaids model. Project Mermaids lets ocean-lovers don tails and live out their siren fantasies. Clients can pay for a shoot that is either on land or underwater, with the images looking to raise awareness about preservation of beaches, seas and oceans. The project – which is shot by photographers Angelina Venturella and Chiara Salomoni – started purely to raise awareness, with celebrities dressing up as sirens as part of the cause. (Photo by Angelina Venturella/Chiara Salomoni/Caters News Agency)

Zahra Lari runs in a scene shot for the Nike Middle East ad campaign filmed in Dubai, UAE, February 10, 2017. An online commercial released by Nike (NKE.N) this week that showed Arab women fencing, boxing and spinning on ice-skates has stirred controversy over its attempt to smash stereotypes about women leading home-bound lives in the conservative region. (Photo by Reuters/Nike)

A migrant holds a placard which reads “No Forced Deportations” as he rides his bicycle at the makeshift camp called “The New Jungle” in Calais, France, September 18, 2015. Around 3,500 migrants and refugees are camped in Calais, fleeing war and poverty in the Middle East, Africa and Asia and now living in the jungle. Most of them are hoping to make the crossing to England. (Photo by Regis Duvignau/Reuters)

People stand in the middle of the graves and in front of giant kites in the cemetery of Santiago Sacatepequez, Guatemala, November 1, 2015. Dating back 116 years, the tradition of flying kites in the cemetery of of Santiago Sacatepequez, integrates the Catholic feast of All Saints with ancient Mayan practices of honouring the dead. It is believed that the kites connect the living and the dead during the all saints day celebration. (Photo by Jorge Dan Lopez/Reuters)

There is something frightening and at the same time appealing in the living sculptures of 27-year-old British artist Emma Fay. Body art in conjunction with the flexibility of acrobats and fantasy of the artist using water-based paints, a brush and sponge, is transformed into a beautiful work of art. It is not immediately possible to make out the human body in the picture. First you look at the landscape and suddenly begin to distinguish someone’s arm, or neck. Or you look into the eyes of an amazing bull, and it turns out that it is perfectly folded back. Lovely people, temples are and wonderful people-insects are.