Revellers take part in the “Canto a la Tierra” parade on January 3, 2018, during the Carnival of Blacks and Whites in Pasto, Colombia, the largest festivity in the south- western region of the country. More than 10,000 people among artists, craftsmen and revellers take part in the Blacks and Whites Carnival, which has its origins in the mix of the multiple Andean, Amazonian and Pacific cultural expressions. It is celebrated every year from January 2 to 6 in the city of Pasto and is part of UNESCO's Intangible Cultural Heritage of Humanity since 2009. (Photo by Luis Robayo/AFP Photo)

Belarusians wearing national costumes celebrate a Pull the Kolyada Up the Oak rite in the village of Martsiyanauka, some 77 km (48 miles) east of capital Minsk, Belarus, Thursday, January 21, 2016. The merry ancient rite Pull the Kolyada Up the Oak marks the end of Orthodox Christmas celebrations in Belarus. On Jan. 21 a wheel, the so-called Kolyada, would be pulled up an oak or any old tree. The Belarusians believed that the ritual heralds a good harvest, luck and happiness for the entire year. (Photo by Sergei Grits/AP Photo)

Larissa Neto, a muse of the Unidos da Tijuca Samba School, poses as she wears a carnival dress in Sao Goncalo near Rio de Janeiro, Brazil, February 3, 2016. Rio de Janeiro's carnival parades are known the world over for the glitz and glamour, high-tech allegorical floats and shimmering bodies, which battle it out each year for the championship title. Each school is fronted by the Queen of the Drums, who dances alongside the raging percussion, and her court of sparkling, sculpted dancers known as “muses”. (Photo by Ricardo Moraes/Reuters)

Negin Ekhpulwak, leader of the Zohra orchestra, an ensemble of 35 women, practises on a piano at Afghanistan's National Institute of Music, in Kabul, Afghanistan April 9, 2016. Playing instruments was banned under Taliban rule in Afghanistan, and even today, many conservative Muslims frown on most forms of music. Living in an orphanage in the capital, Kabul, 19-year-old Negin Ikhpolwak leads an ensemble of 35 women that plays both Western and Afghan musical instruments. In a country notorious internationally for harsh restrictions on women in most areas of life, Negin's story highlights a double challenge. (Photo by Ahmad Masood/Reuters)

“Hey! I'm Thomas Shahan, an artist and macrophotographer from Oklahoma. In my spare time over the past few years, I've been shooting portraiture of local arthropods. Why would I devote countless hours to tramping through forests, fields and the like searching for insects and spiders? Well, despite some common beliefs, arthropods (members of the phylum Arthropoda – insects, spiders, crustaceans...) represent an endlessly varied, wildly beautiful and fascinating bunch of animals with surprisingly personable faces and behavior. Often, all it takes is simply inspecting their lives on a closer level to turn repulsion to reverence”. – Thomas Shahan

Photo: Adult Male Jumping Spider at Sunset – Phidippus mystaceus. (Photo by Thomas Shahan; Source: Flickr)

Ebiowei, 48, carries an empty oil container on his head to a place where it would be filled with refined fuel at an illegal refinery site near river Nun in Nigeria's oil state of Bayelsa November 27, 2012. Locals in the industry say workers can earn $50 to $60 a day. Thousands of people in Nigeria engage in a practice known locally as “oil bunkering” – hacking into pipelines to steal crude then refining it or selling it abroad. The practice, which leaves oil spewing from pipelines for miles around, managed to lift around a fifth of Nigeria's two million barrel a day production last year according to the finance ministry. (Photo by Akintunde Akinleye/Reuters)