A street artist makes soap bubbles in front of the Alte Nikolaikirche church at the Roemerberg square in Frankfurt am Main, western Germany, on August 12, 2018. (Photo by Frank Rumpenhorst/DPA/AFP Photo)

Calling themselves the Gaza skate team, a group of young Palestinians get together to skate and rollerblade amid deprivation and high security. Here: Palestinian boys of Gaza skating Team rollerblade on a street in Gaza City March 8, 2019. (Photo by Mohammed Salem/Reuters)

Bristol celebrates “wonderful diversity” at St Paul's carnival on Saturday, July 6, 2019. Thousands filled the streets for the city’s 51st procession highlighting the contribution of the Windrush generation. (Photo by Alex Turner/The Guardian)

People walk on the street before the opening ceremony of the Witches and Wizards Convention, in the Paranapiacaba village, in Santo Andre, Brazil on May 16, 2025. (Photo by Jean Carniel/Reuters)

In this Tuesday, July 14, 2015, photo, Phoe Thaw, center, a member of the White New Blood lethwei fighters club, a Myanmar traditional martial-arts club which practices a rough form of kickboxing, stretches during a practice session in their gym on a street in Oakalarpa, north of Yangon, Myanmar. Three of the club's members competed this summer on a stage a world away from the street gym: a mixed-martial-arts “One Championship” event broadcast globally on cable television networks, where fighters could receive $1,000 for each fight, according to coach Myint Zaw who started the traditional fighters' club 15 years ago. (Photo by Gemunu Amarasinghe/AP Photo)

A poster by street artist Aaron Li-Hill as part of the "Brandalism" project is displayed at a bus stop in Paris, France, November 28, 2015, ahead of the United Nations COP21 Climate Change conference in Paris. Brandalism is a revolt against corporate control of the visual realm. Following on in the guerilla art traditions of the 20th Century and taking inspiration from Agitprop, Situationist and Street Art movements, the Brandalism project sees artists from around the world collaborate to challenge the authority and legitimacy of commercial images within public space and within our culture. (Photo by Benoit Tessier/Reuters)

Michael Fröhlich's Jowett Javelin rotting car in his forest sculpture park in Neandertal Germany, September 11, 2016. An eccentric artist has collected fifty vintage cars and left them to rot in a forest – and now they're worth over $1 million. Former racing driver Michael Fröhlich, from Dusseldorf, Germany, has purposely crashed the cars into trees, buried them in mud and parked them on cliff faces in his estate's garden in the middle of the German Neanderthal. His collections includes a Jaguar XK120 worth $170,000, a Porsche 356 racer and a Buick worth $17,000. (Photo by Christoph Hagen/Barcroft Images)

A chained male monkey in a costume and wearing a toy mask performs at a street in Depok, West Java, Indonesia, 30 September 2021. A performing monkey in a street, known as “Topeng Monyet” (lit. Monkey Mask), is a popular form of cheap entertainment in Indonesia, especially on the island of Java. (Photo by Adi Weda/EPA/EFE)