A woman counts her money as she sells flowers ahead of International Women's Day in central Kiev, Ukraine on March 7, 2019. (Photo by Gleb Garanich/Reuters)
Hundreds of Nigerians celebrate at an intersection in the flashpoint northern city of Kaduna on March 31, 2015 the victory of main opposition All Progressives Congress (APC) presidential candidate Mohammadu Buhari. (Photo by Nichole Sobecki/AFP Photo)
A general view of atmosphere at the annual VOLT Festival in Sopron, 208 kms west of Budapest, Hungary on August 16, 2016. (Photo by Mudra László/Rockstar Photographers)
A visitor and an employee dressed as Snegurochka (Snow Maiden), the granddaughter of Ded Moroz (Russian equivalent of Santa Claus), pose for a picture inside an upside down house, constructed as an attraction for local residents and tourists and located at the Royev Ruchey Park of Flora and Fauna in the suburbs of Krasnoyarsk, Russia, December 7, 2016. (Photo by Ilya Naymushin/Reuters)
Mexican wrestler known as Mini Psycho walks inside the Basilica of Our Lady Guadalupe during the annual pilgrimage in Mexico City, Mexico August 25, 2016. (Photo by Carlos Jasso/Reuters)
Life as tenant farmers in Kasungu, northern Malawi, can be a struggle for families trapped in poverty, who feel forced to rely on their children’s help, impacting schooling. Here: A tobacco field at a farm in Kasungu region, Malawi. Tobacco is the country’s most important export crop, with tobacco leaf from Malawi filling cigarettes found all over the world. Here: Tiyamike Phiri hopes to become a nurse because she wants to travel the country and help others. (Photo by David Levene/The Guardian)
Everly Base, six, sees the funny side of a TV carol-singing performance with her classmates in which her father had dared her to cross her eyes while she sang in Yate, Gloucestershire, UK on December 19, 2024. (Photo by Tom Wren/South West News Service)
Born with a rare condition, the artist has chronicled her life in portraits – capturing everything from her tattooed prosthetics to the tentacled creature she stitched together on the shores of Naoshima. Here: Ophelia (2013). From a series of photos of imagined women exhibited at the 2013 Aichi Triennale. Here, Katayama invokes Hamlet’s tragic heroine, after the painting by British pre-Raphaelite John Everett Millais. (Photo by Mari Katayama/The Guardian)