In this photo taken on Tuesday, September 6, 2016 Omar Hassan poses in front of his creation “Breaking Through Milano” in his studio in Milan, Italy. (Photo by Antonio Calanni/AP Photo)

Transgender drag queen Aunchalee Pokinwuttipob, better known by the stage name, Angele Anang, 26, stands outside The Stranger bar to promote her show, in Silom district, Bangkok, Thailand, September 18, 2020. (Photo by Chalinee Thirasupa/Reuters)

Women sells vegetables at Kaporo market in Conakry, Guinea Monday, September 13, 2021. (Photo by Sunday Alamba/AP Photo)

Dancer Megan changes costume as she performs in the review “Feerie” at the Moulin Rouge in Paris, France, July 3, 2018. Each show requires 1,000 outfits, all crafted in the workshops that have been supplying the Moulin Rouge for decades. Each dancer has to make between 10 and 15 costume changes per show, with about 90 seconds to complete each one before they have to be back out on stage. (Photo by Philippe Wojazer/Reuters)

Cattle are the most important way of livelihood for the Karamojong: they provide milk, meat, blood and money when sold, Karamoja, Uganda, February 2017. (Photo by Sumy Sadurni/Barcroft Images)

Bam Bam makes a fan feel his sweaty chest at Johnson' s Station in Picayune, Ms., on February 11, 2018. The Micro Wrestling Federation is a full scale, WWE type event sporting an entire cast under five feet tall. Founded in 2000, the MWF is the longest running organization within the Little Person wrestling industry according to its manager. (Photo by Emily Kask/AFP Photo)

In this June 16, 2015 photo, an Indian coachman sleeps on his Victoria horse-drawn carriage outside a stable in Mumbai, India. Drivers of Mumbai's iconic horse-drawn carriages can't imagine not plying the roads pulling photo-snapping tourists atop their kitsch-covered chariots. Yet that time is coming, thanks to a court order calling such superfluous “joyrides” a form of animal cruelty and banning them in India's financial capital from June 2016. (Photo by Rafiq Maqbool/AP Photo)

When Colin Garratt went to photograph the traditional sentinels of the British countryside, he found they ranged from the dapper to the downright sinister. “They are not from the anaesthetised world of the craft fair”, says Colin Garratt, “but are the direct descendants of the ancient spectres which have haunted the landscape for centuries”. The Scarecrow Exhibition is at Geddes Gallery, London, from 25 to 30 March. (Photo by Colin Garratt)