A Rohingya migrant woman, who arrived in Indonesia by boat, carries a bottle of drinking water inside a temporary compound for refugees in Kuala Cangkoi village in Lhoksukon, Indonesia's Aceh Province May 17, 2015. (Photo by Reuters/Beawiharta)

A man looks inside an overturned truck after an accident along the road between Nouahibou and Nouakchott, Mauritania December 3, 2009. (Photo by Rafael Marchante/Reuters)

Men carrying a shrine jump over a bon fire, which means a wish for good luck during a traditional Chinese lunar new year celebration in Jieyang, Guangdong province, China, February 2, 2017. (Photo by Reuters/China Daily)

Carla Bruni attends the L' Oreal Party at the Beach of The Palais du Festival during the 51st Cannes Film Festival on May 13,1998 in Cannes, France. (Photo by Foc Kan/WireImage)

“Do-Ho Suh addresses issues of identity, memory, and relationships. Son of the famous Korean ink-painter Suh Se-Ok, Do-Ho Suh is a leading figure in the transnational avant-garde generation of Korean artists who came of age in the late 1990s, and his work eloquently represents a dual consciousness between East and West”.

Photo: “Karma” by Do-Ho Suh. Sydney and Walda Besthoff Sculpture Garden, New Orleans Museum of Art, New Orleans, LA. (Photo by Alan Teo)

The mummy of Yuya thought by some to be Josua who, after Moses, led the Hebrews into the Promised land and logically would be the father-in-law of Amenophis III, at Cairo Museum, Egypt. (Photo by Patrick Landmann/Cairo Museum/Getty Images)

In this July 23, 2013 photo, sand fills an abandoned house in Kolmanskop, Namibia. Kolmanskop, was a diamond mining town south of Namibia, build in 1908 and deserted in 1956. SInce then, the desert slowly reclaims its territory, with sand invading the buildings where 350 German colonists and more than 800 local workers lived during its hay-days of the 1920s. (Photo by Jerome Delay/AP Photo)