«Female Boxers», 2024. Julia Fullerton-Batten is a fine art photographer renowned for her cinematic visual storytelling. Her large-scale projects are based around specific themes, each image embellishing her subject matter in a series of thought-provoking “stories” using staged tableaux and sophisticated lighting techniques. (Photo by Julia Fullerton-Batten)

A carnival member performs during a carnival procession of the closing carnival night in the town of Strumica, southeastern North Macedonia, 16 March 2024. North Macedonians are marking Trimery, an Orthodox Christian holiday, when evil spirits are chased away with dance rituals. The holiday marks the beginning of the fasting period ahead of Easter. (Photo by Georgi Licovski/EPA/EFE)

Cast member, American actress Sydney Sweeney attends the premiere of Neon's “Immaculate” during Beyond Fest at The Egyptian Theatre Hollywood on March 15, 2024 in Los Angeles, California. (Photo by Mario Anzuoni/Reuters)

Festivalgoers are seen running to the gates during the the first weekend of the Coachella Valley Music and Arts Festival at the Empire Polo Club on Friday, April 12, 2024, in Indio, Calif. (Photo by Amy Harris/Invision/AP Photo)

A woman sits in lotus prayer pose during the “Yoga at the Sunrise” event on Copacabana beach, in Rio de Janeiro, Saturday, June 22, 2024. The activity celebrates International Yoga Day proclaimed by the United Nations as June 21. (Photo by Bruna Prado/AP Photo)

A Palestinian woman pulls a stroller with children, next to piles of rubble, during a rainy day in Gaza City,on November 25, 2025. (Photo by Mahmoud Issa/Reuters)

A six-year-old acrobat performs on the opening of a tourist festival in Bozhou, Anhui province, China May 3, 2015. (Photo by Reuters/China Daily)

A love story with two log choppers. “In 1993, I was working on a project about life in the Olomouc region of Czechoslovakia. One day, I came to the village of Dlouhá Loučka-Křivá and went into a courtyard where I saw two old people, a husband and wife, sawing firewood for winter. They were working quietly, concentrating. I watched them fetch a beam from a wrecked barn, but they didn’t discuss how they planned to carry it to the saw. The woman faced one way, the man the other. When they realised, the woman eventually turned and followed her husband. The picture I took is the picture of many relationships – when each partner wants something different, but they have to come to an agreement, pull together eventually”. (Photo by Jindrich Streit)