Farhad Moshiri, an Iranian artist working a lot with carpet media using it as a mean to joke about consumerism culture, was one of the participants of the group show Love Me Love Me Not of Yarat! pavilion curate by Dina Nasser-Khadivi (read on her curating Lalla Essaydi's Harem here) at Venice 2013 Art Biennial. The installation consists of more than 500 carpets depicting celebrities-covered magazines from all over the world.

A giant floating replica of the Brazilian Christ The Redeemer statue rolled into Melbourne today ahead of next week’s World Cup, and the city wasn’t overly pleased with the display.

An Afghan woman fills containers with water near her temporary shelter at an internally displaced person's (IDP) camp on the outskirts of Herat, Afghanistan, January 21, 2015. Dozens of families are living in temporary shelters even in harsh winters and most depend on aid distributions by the United Nations High Commissioner for Refugees (UNHCR). (Photo by Jalil Rezayee/EPA)