An attendee dressed as Winnie the Pooh talks with a member of the D.C. Metropolitan Police Department during the annual pre-Halloween High Heel Race in Washington, D.C., U.S., October 28, 2025. (Photo by Nathan Howard/Reuters)

A woman wearing a raincoat collects a plastic bag near a beach as Typhoon Bualoi nears, in Nghe An province, Vietnam, on September 28, 2025. (Photo by Thinh Nguyen/Reuters)

South African singer Tyla performs at the 2024 MTV Europe Music Awards at Manchester Co-op Live in Manchester, Britain, on November 10, 2024. (Photo by Phil Noble/Reuters)

Giant pandas play in a snow group at Chongqing Zoo in Chongqing, China, on December 14, 2024. (Photo by Costfoto/NurPhoto/Rex Features/Shutterstock)

A woman poses for pictures next to a Christmas tree in a shop selling Russian products in Wuhan, in China's central Hubei province on December 22, 2024, ahead of the fifth anniversary of China confirming its first death from the Covid-19 coronavirus. (Photo by Hector Retamal/AFP Photo)

Two 70 thousand RMB (about 11,310 USD) robots carry dishes and offer service for customers at a robot themed restaurant at Chunxi Road in Chengdu, China, December 11, 2014. The restaurant has 10 robots to serve as waiters. Each robot can carry simple dishes and offer simple greetings. (Photo by ChinaFotoPress/ChinaFotoPress via Getty Images)

Chinese military medics take part in a parade commemorating the 70th anniversary of Japan's surrender during World War II held in front of Tiananmen Gate in Beijing, Thursday, September 3, 2015. (Photo by Ng Han Guan/AP Photo)

“Woman with Umbrella in Rain” by Raimund von Stillfried. Artist: Kusakabe Kimbei (Japanese, 1841–1934), 1870s. Commercial photography studios in Meiji-era Japan were renowned for the subtlety and refinement of their coloring techniques. This hand-tinted image of a young woman caught in a heavy rainstorm achieved its naturalistic effect by knitting together multiple strands of artifice: the greenery in the foreground was a studio prop; the flaps of the kimono were suspended by thin wires to create the impression of a strong wind; and long, diagonal marks were made on the negative to suggest streaks of rain. (Photo courtesy of The Metropolitan Museum of Art)