MY Raven, a former steamer now converted to diesel, cruises across Ullswater from Glenridding to Pooley Bridge in Cumbria, UK on October 25, 2024. (Photo by Andrew McCaren/London News Pictures)

“My children are not only my little darlings but off-shoots of myself. When I look at them, I have a strange feeling – as if I am watching myself re-living my life. What I want to show is their “living form”. – Hideaki Hamada. Photo: “Rainy days and mondays #1”. (Photo and caption by Hideaki Hamada)

Nithin Rao Kumblekar, a freelance illustrator and art director based in Bangalore, India, created these illustrations for an ad campaign by Ogilvy & Mather for ‘in store’ branding for Allen Solly clothing. The idea of the project was to blend each illustration in with a model(s) / photograph to express the theme “My world, My way“.

British designer Alex Chinneck created the installation - called From the Knees of my Nose to the Belly of my Toes - by removing the facade of a detached four-storey house that had been derelict for eleven years and replacing it with a brand new frontage that leaves the crumbling top storey exposed, then curves outwards so the bottom section lies flat in front of the house.

Colonel Roscoe Turner, the pilot of an American Boeing plane, showing his wife a model of the plane, at the airfield in Mildenhall. (Photo by R. Wesley/Fox Photos/Getty Images). 19th October 1934

Zed Nelson has photographed the same family, once a year on the same day, for 20 years. I take hundreds of photo’s of my extended family all year round, some just languish on my computer screen unseen by anyone, some get printed, some framed. What is really interesting about this project is not only the obvious time scale but his “ analytical approach“. The same plain background is used for each session and he chooses only 1 frame to represent that years image. My many photographs are a mishmash of family events, his create a family history unfolding . Perhaps less really is more.

Farhad Moshiri, an Iranian artist working a lot with carpet media using it as a mean to joke about consumerism culture, was one of the participants of the group show Love Me Love Me Not of Yarat! pavilion curate by Dina Nasser-Khadivi (read on her curating Lalla Essaydi's Harem here) at Venice 2013 Art Biennial. The installation consists of more than 500 carpets depicting celebrities-covered magazines from all over the world.

A person looks at Theresa Chromati's “steadfast, step into me (allow silence to create the sounds you desire most)”, which is part of Frieze Sculpture, in Regent's Park, in London, Britain on September 18, 2024. (Photo by Mina Kim/Reuters)