Edinburgh mask maker Lorraine Pritchard on Sunday, January 28, 2024 alongside some of her Venetian masks which will be worn and displayed at the Venice Carnival, which starts on Saturday February 3. Lorraine studied model making at Glasgow College of Building and Printing and Venetian mask making in Florence, Italy. She travels to Venice each year to be a “mask” herself, wearing different masks she has designed as a live exhibit of her work. (Photo by Jane Barlow/PA Images via Getty Images)

«After Presents», 1996. Siri Kaur: “I was 14 when Simran was born in 1990. We have different mothers, so we grew up separately and I made pictures with her whenever I saw her. The work of Sally Mann and Nan Goldin gave me permission to see my family as a valid art subject. This image shows the aftermath of Christmas morning. Simran is unselfconsciously lounging on the floor, melding into her beloved dog”. (Photo by Siri Kaur)

A firefighter is seen next to flames while working to extinguish a wildfire burning in Gondomar, northern Portugal on July 29, 2025. Almost 2,000 firefighters battled on July 29, 2025 to contain forest blazes across Portugal that have led to almost the whole country being put on high alert for fires. Ten major fires blazed with two in the north and three in the centre of the country causing most concern. (Photo by Carlos Costa/AFP Photo)

Jewelry from packaging: Yoav Kotik’s rings, bracelets, necklaces and pendents are made from metal bottle caps. Yoav Kotik, the designer of "Precious metal" jewellery line, is a graduate of the "Bezalel academy of art and design" in Jerusalem. Yoav is a member of the Zik group. He frequently leads Master classes in the field of sculpture and design in recycled materials in academic institutes such as the "Shenkar academy of design" the "Bezalel academy" and the "Wizo academy". His works were presented in galleries across Israel, the UK, the Netherland and Japan.

James Kerr started his project “Scorpion Dagger” without any real direction, except for the intention to make one GIF everyday(ish) for one year. He had been making collages for some time and “Scorpion Dagger” started out to be a test of discipline and a way for him to learn how to animate. Making GIFs was a logical evolution to him. The project represents many different things to him, the works from which he draws upon are so powerful and inspirational to him, that he is now nearly obsessed with repurposing them to share his vision of the world, and perhaps inspire people to look at art differently. The project is tremendously personal to him, it’s a lot more than the humor that’s at its surface and he is still trying to work out what “Scorpion Dagger” really is.