Challenges face all types of industries in various forms. Whether its a new project or expanding the business with a new venture. D2Autosport is no stranger to the challenges brought on in the automotive aftermarket and the teamwork needed to deliver a comprehensive build. With our latest project, the Terradyne Gurkha, each member of our multi talented team was resourced to bring a fresh spin to a military grade vehicle that was to be the promo vehicle for New York’s own Slow Bucks.

Riot police face off with demonstrators at the “Occupy Denver” camp on October 29, 2011 in Denver, Colorado. Following a march by protesters, police moved in on their encampment to tear down recently erected tents. They arrested numerous protesters, pepper-sprayed others and others reportedly fired rubber bullets at the crowd during the confrontation. (Photo by John Moore/Getty Images)

These goats threw caution to the wind and scaled this Argan tree right to the very top, even balancing on the most unsturdy of branches. It looks like a bit of a baa-lancing act, but the goats hooves are perfectly adapted to climbing the trees, where they graze on the Argan fruit. Amateur photographer Burak Senbak, 51, took these photos whilst travelling through Morocco in July 2016. Burak is originally from Turkey and works as a mechanical engineer, but has pursued his passion for photography for 10 years. Intrigued by the sight of goats in a tree, Burak couldnt resist the opportunity to take some photos, and said the goats proved a perfect subject. (Photo by Burak Senbak/Caters News)

Under Exposed: Pekka Tuuri (Finland) – Great white shark, Isla Guadalupe, Mexico. “Isla Guadalupe is the world capital when it comes to observing great white sharks, but cage diving seriously limits the possibilities to take ‘fresh’ pictures. When I took this, the water close to the surface was quite milky, making photography very challenging. From out of the “mist”, I saw this great white shark lurking behind a school of fusiliers. I quickly focused on the shark and set a wide aperture to get focus blur on the fish, along with a fast shutter to avoid excessive motion blur”. (Photo by Pekka Tuuri/The Outdoor Photographer of the Year/The Guardian)

“Jim Fiscus is an American photographer specializing in editorial and advertising photography, including several highly regarded campaigns for the Showtime series Dexter, starring Michael C. Hall. Fiscus, who is based in Athens, Georgia, has won many awards for his work, including at the 2005 International Photo Awards for his portraits of hip-hop and R&B artists Jay-Z, Usher, and Outkast. Also in 2005, he was named International Photographer of the Year at the Lucies, and he is the winner of the 2008 International Aperture Award for his photograph of English chef and best-selling cookbook author Jamie Oliver, commissioned by Channel 4 in the U.K. In 2009, his photographic novella, “The Unfortunate Moment of Misunderstanding”, was displayed at Industrial Color’s M Project Gallery in New York in June 2009”. – Wikipedia

These are the amazing panoramic photographs that look like little planets. They were taken by photographer Dan Arkle, 34, from Sheffield, UK. He said: “On a sharp summit, you feel literally on top of the world, with dramatic views in all directions, including straight down. I tried using conventional photography to capture this feeling, but even with a wide angle lens I couldnt get all the view in the image”. Here: “Taken at the tiny summit of Cima Piccola in the the Tre Cima group in the Dolomites, Italy. The large peak is Cima Grande Some remote peaks have a summit register, and my climbing partner Steve can be seen signing this in the bottom of the picture”. (“Little Planets” Project. Photo and comment by Dan Arkle)

“Woman with Umbrella in Rain” by Raimund von Stillfried. Artist: Kusakabe Kimbei (Japanese, 1841–1934), 1870s. Commercial photography studios in Meiji-era Japan were renowned for the subtlety and refinement of their coloring techniques. This hand-tinted image of a young woman caught in a heavy rainstorm achieved its naturalistic effect by knitting together multiple strands of artifice: the greenery in the foreground was a studio prop; the flaps of the kimono were suspended by thin wires to create the impression of a strong wind; and long, diagonal marks were made on the negative to suggest streaks of rain. (Photo courtesy of The Metropolitan Museum of Art)