Dancers audition for a post as cheerleaders of the Miami Dolphins, in Rio de Janeiro, Brazil, Thursday, March 3, 2016. Brazilian dancers audition in the first international cheerleader recruitment for the Miami Dolphins in Rio de Janeiro. The Dolphins will also hold auditions in Colombia, Argentina, Mexico and South of Florida. (Photo by Felipe Dana/AP Photo)

A reveller tries to hold on to a wild horse during the “Rapa Das Bestas” traditional event in the Spanish northwestern village of Sabucedo July 5, 2014. On the first weekend of the month of July, hundreds of wild horses are rounded up, trimmed and groomed in different villages in the Spanish northwestern region of Galicia. (Photo by Miguel Vidal/Reuters)

A group of fashionable nonagenarians pose for a photo in Pengzhou, Sichuan, China on October 12, 2016. (Photo by Rex Features/Shutterstock)

A tattoo showing the Olympic rings is pictured on the leg of Mexico's Joana Jimenez Garcia during the Women Solo Technical Preliminaries, at the FINA World Championships, in Budapest, Hungary on June 17, 2022. (Photo by Marton Monus/Reuters)

Elephants cool off at a zoo in Karachi, Pakistan, 31 March 2021. Caretakers at Karachi's zoo were working to keep animals cool during a heatwave affecting southern Pakistan. (Photo by Shahzaib Akber/EPA/EFE)

A photographer is using a unique method to show the shift from day to night across famous cities in spectacular images. Daniel Marker-Moors' take on time-lapse photography – which he calls time slice – sees the photographer snap image after image, before combining them to create beautiful, vibrant works. His images usually focus on a point in the day with the most dramatic change in light, such as sunrise or sunset. Marker-Moors, from Los Angeles, begins by shooting hundreds and sometimes thousands of images from the same spot. Here: Chicago – 35 photographs, 15 minutes. (Photo by Daniel Marker-Moors/Caters News)

People take photos with the skyline of the central business district in Singapore on September 10, 2015. (Photo by Edgar Su/Reuters)