Though it is often said that the human eye can be revealing about a person, Jakarta-based Indonesian artist Veri Apriyatno's series titled The Witnesses reveals a lot more about a person's surroundings through the reflection of their eyes. Each hyperrealistic mixed media creation in the series (made with charcoal, pencil, and acrylics on canvas) presents an entire world within the gaze of a glistening eye.

A silicon rug in the form of Adolph Hitler on display during an exhibition by Israeli artist Boaz Arad, at the Center for Contemporary Art February 22, 2007 in Tel Aviv, Israel. Arad is an Israeli artist who is dealing with the Holocaust in a provocative way. He uses the Holocaust to discuss human evil and contemporary Israel, which he says is torn and crumbling. (Photo by David Silverman/Getty Images)

Photographer Tyler Shields had become comfortable, a feeling he found “terrible” as an artist. He wanted to do something challenging, something that pushed the human boundaries. So he spent a year documenting heights, fear, energy and falling – a series he calls “Suspense”. Photo: “Balloon”. (Photo by Tyler Shields)

Mortsafes were contraptions designed to protect graves from disturbance. Resurrectionists had supplied the schools of anatomy in Scotland since the early 18th century. This was due to the necessity for medical students to learn anatomy by attending dissections of human subjects, which was frustrated by the very limited allowance of dead bodies – for example the corpses of executed criminals – granted by the government, which controlled the supply.

“They’ve been obsessing me for years. I searched and found them in Benares, on the banks of the river Gange (India). They arrive here to get rid of everything and to wait for death. This existence can last for years, sometimes decades, almost a life. Opposite to mine, well organised and filled as a human life can be, to try in vain to push the limits of its end”. – Denis Rouvre. (Photo by Denis Rouvre)

Sabine Pearlman‘s photographs find beauty in the destructive engineering of ammunition with this series of cross-sections of bullets cartridges from a Swiss bunker. They reveal the complexity inside each case. This series, which consists of 900 specimens, was photographed inside a WWII bunker in Switzerland. Pearlman says that she is intrigued by the beautiful complexity of the ammo set against its destructive purpose, at once showing off humanity’s ability to create and destroy.