A PETA (People for the Ethical Treatment of Animals) activist with her body painted promotes veganism in Bangkok April 21, 2016. (Photo by Jorge Silva/Reuters)
A model presents a creation by Japanese designer Yoshikazu Yamagata for his label writtenafterwards during the Mercedes-Benz Fashion Week in Tokyo, Japan, 16 March 2016. The presentation of the Autumn/Winter 2016 collections runs from 14 to 19 March. (Photo by Kiyoshi Ota/EPA)
Missing that old days of gaming when games were GAMES and not a dunghill of marketing bullshit with DLC? Sick of all this "press X to win"? So remember the CLASSIC!
A driver on the Horseshoe Pass in North Wales wiping the snow from the windscreen of his car during a heavy snow storm, 18th January 1937. (Photo by Norman Smith)
Farhad Moshiri, an Iranian artist working a lot with carpet media using it as a mean to joke about consumerism culture, was one of the participants of the group show Love Me Love Me Not of Yarat! pavilion curate by Dina Nasser-Khadivi (read on her curating Lalla Essaydi's Harem here) at Venice 2013 Art Biennial. The installation consists of more than 500 carpets depicting celebrities-covered magazines from all over the world.
Super Mario finds himself in his original pixelated form in these playful Matt McManis Skittles illustrations. Depicting the overalls-wearing Italian video game character and Pac-Man, these delectable candy designs culminate as a merging of the gamer, the glutton and the creative.
Death Muammar Muhammad Abu Minyar al-Gaddafi (7 June 1942 – 20 October 2011) in Misrata on October 20, 2011. The veteran strongman was killed on as new regime forces crushed the last pocket of resistance in his hometown Sirte, the National Transitional Council said. (Photo credit should read MAHMUD TURKIA)
Erik Ravelo goes straight for the jugular in his series, Los Intocables (The Untouchables). Depicting children in one the most vulnerable poses of all time, Ravelo attempts to speak for those who cannot properly articulate their pain. The sick, twisted games that adults play can come at a cost to future generations and Ravelo’s series gives a voice to those children who get caught in the crossfire.