In this image released on Friday, September 26, 2014, Chris Vierra, renowned pumpkin carver from Villafane Studios, creates a lifelike Tyrannosaurus Rex sculpture using pumpkins and squash at Field Station: Dinosaurs, a 20-acre outdoor Jurassic learning expedition and family tourist attraction in Secaucus, N.J. (Photo by Charles Sykes/AP Photo/Invision for Field Station: Dinosaurs)

A giant chrome brushed aluminium skeleton of a Tyrannosaurus (T-Rex) dinosaur , made by French sculptor and painter Philippe Pasqua, stands at the pier of riverboat company Bateaux-Mouches in Paris, with the Eiffel tower in the background.

Neil Tuckett and Jamie Davidson, begin their attempt to drive a 1911 Model T Ford to the top of Ben Nevis on May 16,2011 in Fort William, Scotland. The challenge has been organised in memory of a pioneering Edinburgh car dealer Henry Alexander, who drove to the top of Ben Nevis to prove the ruggedness of the Model T. The original accent took five days with the route leading over boulders and through snow drifts. (Photo by Jeff J Mitchell/Getty Images)

David Yeo’s photography places naturally small species alongside animals that have been selectively bred to be tiny and cute. Here: “The most difficult aspect of this shoot was to get each African pygmy dormouse – also known as micro squirrels – on to a separate camera. Once in place, they needed to remain still long enough to get them both in the frame and looking at me. Often solitary, they naturally wanted to move away”. (Photo by David Yeo/Leica Studio Mayfair/The Guardian)

Kyaiktiyo, Burma, 1978. The Golden Rock at Shwe Pyi Daw (the Golden Country), the Buddhist holy place. Hiroji Kubota writes: “I was desperate to keep a distance from America for a while; luckily, I found Burma and its gentle and compassionate people. In the spring of 1978, on the top of the hill where I took this photo, I had two Leica bodies: the one with Tri-X and the other with Kodachrome 64. Soon after, I realised that the colour one looked very colourful and was more powerful. That was my decisive moment, to become a colour photographer”. (Photo by Hiroji Kubota/Magnum Photos)