With its huge eyes, comical name and diminutive size, Mark R. Smith’s image of a baby Hawaiian bobtail squid can’t help but raise a smile. A curiously endearing creature, the cephalopod is just 1.5cm across, its mantle cavity bearing more than a passing resemblance to a rather natty shower cap. But it is also a beautiful example of symbiosis – nature’s version of “I’ll scratch your back if you scratch mine” – for on the underside of the squid is a light organ which houses bioluminescent bacteria. The squid offers the bacteria protection and food, while the bacteria emit a glow – a handy trait that the squid uses to offset its silhouette, helping it to evade predators in the depths below. Mark R. Smith’s entry combines several images of a Hawaiian bobtail squid with different focus lengths to create a final picture with greater depth of field than normal. (Photo by Mark R. Smith/Wellcome Images/Macroscopic Solutions)

Brain-on-a-chip. Dazzling in green and magenta this image shows the nerve fibres (in green) produced by neural stem cells (in magenta) as they grow on a synthetic gel. Captured by a technique known as confocal microscopy, the image is part of research shedding light on how tinkering with the environment can affect the way in which nerve fibres grow. (Photo by Collin Edington and Iris Lee/Massachusetts Institute of Technology/Wellcome Images)

Fighting Infections (single image) | Fighting Pandemic by Sudipto Das. “It’s exhausting. A tram conductor in Kolkata, India, wears protective clothing from head to toe even in the heat of a summer afternoon. This was when restrictions were easing after India’s first Covid-19 lockdown – public transport was running, but staff were advised to suit up like this. We’ve all grown used to saluting the efforts of healthcare workers, but plenty of other people in public-facing jobs have performed gruelling duties too to keep people safe”. (Photo by Sudipto Das/Wellcome Photography Prize 2021)

Wellcome trust employee Zoe Middleton poses behind an artwork entitled “My Soul” by Katharine Dowson, which consists of a laser etched lead chrystal glass formation in the shape of a brain, and was created using the artists own MRI Scan, at Wellcome Collection on March 27, 2012 in London, England. (Photo by Dan Kitwood/Getty Images)

An artwork entitled “Are you still mad at me?” by John Isaacs is displayed at the Death: A Self-portrait exhibition at the Wellcome Collection on November 14, 2012 in London, England. The exhibition showcases 300 works from a unique collection by Richard Harris, a former antique print dealer from Chicago, devoted to the iconography of death. The display highlights art works, historical artifacts, anatomical illustrations and ephemera from around the world and opens on November 15, 2012 until February 24, 2013. (Photo by Peter Macdiarmid)

Beautiful, strange and occasionally alarming pictures from the shortlist for this year’s Wellcome image awards – which celebrate the very best in science photography and imaging – from an x-ray of a bat to a micrograph of a kidney stone. The exhibition opens on 12 March at three science centres and the Museum of Science and Industry in Manchester. Photo: Scanning electron micrograph (SEM) of an Arabidopsis thaliana flower, also commonly known as thale cress. Some of the anthers are open, revealing pollen grains ready for dispersal. Arabidopsis was the first plant to have its entire genome sequenced and is widely used as a model organism in molecular and plant biology. Horizontal width of image is 1200 microns. Magnification 100x. (Photo by Stefan Eberhard/Wellcome Images)

A three-metre-tall painted bronze sculpture, Seated Man 2016, by the artist Sean Henry, is lifted into its new home on July 23, 2019 at Yorkshire Sculpture Park in Wakefield, England. (Photo by Christopher Thomond/The Guardian)

A woman poses by “Leaf Spirit” by Simon Gudgeon at the FORM 24 show at Sculpture by the Lakes, on April 02, 2024 in Dorchester, England. The award-winning sculpture show runs from April 2 to June 1, with works by more than 35 leading contemporary sculptors exhibited throughout 26-acres of lakes, rivers, gardens, and woodlands as well as in the Gallery and The Retreat. FORM includes a series of talks and events to accompany the exhibition, including “Meet the Artist” Q&A sessions with exhibiting sculptors, workshops and demonstrations. (Photo by Finnbarr Webster/Getty Images)