“Josephine Baker (June 3, 1906 – April 12, 1975) was an American-born French dancer, singer, and actress. Nicknamed the “Bronze Venus”, the “Black Pearl”, and even the “Créole Goddess” in anglophone nations.

Baker was the first African American female to star in a major motion picture and to integrate an American concert hall, and to become a world-famous entertainer. She is also noted for her contributions to the Civil Rights Movement in the United States (she was offered the unofficial leadership of the movement by Coretta Scott King in 1968 following Martin Luther King, Jr.'s assassination, but turned it down), for assisting the French Resistance during World War II and for being the first American-born woman to receive the French military honor, the Croix de guerre”.

Photo: American entertainer Josephine Baker in costume for her famous “banana dance”. Baker was an overnight sensation when she arrived in Paris in the mid-1920s. (Photo by Walery/Getty Images)

When you look at the pictures created by Stacey Baker, you immediately think that these photos must have been staged by the photographer to convey some deep meaning. In reality, however, Stacy created her new series called “CitiLegs”, which has about 300 pictures of female legs, by asking passing girls and women in Manhattan, New York if she could photograph their legs. And that is when the realization hits you – “Some people actually dress like that!” What kind of a person would wear neon-green shorts over orange leggings with leopard-patterned boots, the toes of which are completely torn? Yes, there is a possibility that such a person might be insane; however, there are just too many “crazy” photos in this series! (Photo by Stacey Baker)

It’s the United States of Air-merica! Pilot Jassen Todorov from San Francisco spent three weeks flying across eight states in a 1976 Piper Warrior plane to capture the this shots – from deep craters in Arizona’s red desert and the swamps and wetlands in Florida and Louisiana, that look like they could be on alien planets, to freeways and stretches of suburban Texas. Here: El Paso, Texas at sunset. (Photo by Jassen Todorov/Caters News)

The barren landscapes of the south-western US provided inspiration for photographer David Clapp. He visited Nevada, New Mexico, Utah and Arizona as part of his project on other-worldy locations, with surreal results. Here: An infrared image at dusk of strange clay rock formations in Ah-Shi-Sle-Pah Wilderness in Farmington, New Mexico. (Photo by David Clapp/Barcroft Images)

A boy pushes a donkey cart loaded with bundles of cotton blooms that were collected by women cotton pickers in Meeran Pur village, north of Karachi September 25, 2014. Women make up the bulk of Pakistan's half a million cotton producers, but labour rights activists say they are often exploited by overseers, who often withhold their wages and may subject some of them to sexual harassment. (Photo by Akhtar Soomro/Reuters)

A man tries to stop two bulls from locking horns during a bullfight in the eastern emirate of Fujairah October 17, 2014. There are no matadors or picadors, but bulls locking horns with each other draw big crowds to bullfights in the United Arab Emirates (UAE). An hour's drive from the dancing water fountains of Dubai's glitzy downtown, hundreds of fans gather in Fujairah to watch bulls fighting, or perhaps more accurately head butting, with honour rather than money at stake. The UAE sport involves two bulls locking horns in a three-to-four minute Sumo-wrestling-like fight that usually ends with no bloodshed. (Photo by Ahmed Jadallah/Reuters)

The Mexico – United States barrier – also known in the United States as the border fence, rotted fence or border wall – is actually several separation barriers designed to prevent illegal movement across the Mexico – United States border.

Buddy Bears are a series of painted, life-size fibreglass bear sculptures originally developed in Berlin, Germany. The first Buddy Bear was created by the German businesspeople Klaus and Eva Herlitz, in cooperation with the sculptor Roman Strobl in 2001.