Belgium supporters pose before the World Cup quarterfinal soccer match between Argentina and Belgium at the Estadio Nacional in Brasilia, Brazil, Saturday, July 5, 2014. (Photo by Victor R. Caivano/AP Photo)

Boca Juniors' Paraguayan defender Bruno Valdez (bottom) and Nacional's forward Bruno Damiani fight for the ball during the Copa Libertadores round of 16 second leg football match between Argentina's Boca Juniors and Uruguay's Nacional, at La Bombonera stadium in Buenos Aires, on August 9, 2023. (Photo by Juan Mabromata/AFP Photo)

Transgender woman Angeles Rojas enters a room at Banco Nación where she works in Buenos Aires, Argentina, Thursday, November 5, 2020. Rojas, 23, joined the most important public bank in Argentina this year as part of the trans labor quota that is part of the public policies in favor of the LGBT community that the South American country has implemented in the last decade. (Photo by Natacha Pisarenko/AP Photo)

In this Thursday, October 5, 2017 photo, Chile's singer-songwriter Mon Laferte performs in concert at the Auditorio Nacional in Mexico City. The 34-year-old artist, who just received five Latin Grammy nominations, performed three sold-out concerts at the National Auditorium, on consecutive evenings, beginning Thursday. (Photo by Eduardo Verdugo/AP Photo)

A photographer with a passion for wild animals was able to get up close and personal with one of nature’s deadliest creatures. Alex Suh has traveled to Mexico’s Banco Chinchorro reef twice in the past three years to get into the waters and capture the crocodiles in their natural habitat after an invitation from Yucatan Dive Trek. (Photo by Alex Suh/Caters News Agency)

Floralis Genérica is a sculpture made of steel and aluminum located in Plaza de las Naciones Unidas, Avenida Figueroa Alcorta, Buenos Aires, a gift to the city by the Argentine architect Eduardo Catalano. Catalano once said that the flower "is a synthesis of all the flowers and is both a hope that is reborn every day to open." It was created in 2002. The sculpture moves closing its petals in the evening and opening them in the morning, although this mechanism is currently disabled. The sculpture is located in the center of a park of four acres of wooded boundaries, surrounded by paths that get closer and provide different perspectives of the monument, and placed above a reflecting pool, which apart from fulfilling its aesthetic function, protects it. It represents a large flower made of stainless steel with aluminum skeleton and reinforced concrete, which looks at the sky, extending to it its six petals. Weighs eighteen tons and is 23 meters high.

A Gnawa traditional group performs in the city of Essaouira on December 14, 2019, to celebrate the decision of adding the Gnawa culture to UNESCO's list of Intangible Cultural Heritage of Humanity. Gnawa culture, a centuries-old Moroccan practice rooted in music, African rituals and Sufi traditions, was added to UNESCO's list of Intangible Cultural Heritage of Humanity earlier in the week. Gnawa refers to a “set of musical productions, fraternal practices and therapeutic rituals where the secular mixes with the sacred”, according to the nomination submitted by Morocco. Often dressed in colourful outfits, Gnawa musicians play the guenbri, a type of lute with three strings, accompanied by steel castanets called krakebs. (Photo by Fadel Senna/AFP Photo)

A gallery staff member walks past Fleeting Monument (1985) by artist Cornelia Parker, one of the works on display at Yorkshire Sculpture Parks Longside Gallery as part of the “Making It: Sculpture in Britain 1977-1986” exhibition on March 27, 2015 in Barnsley, England. (Photo by Christopher Furlong/Getty Images)