Martin Herrera, 58, who has had a love for roosters since his childhood, and has spent the last 20 years domesticating and training them, walks with his favorite rooster “Paquito” in San Jose, Costa Rica April 27, 2017. (Photo by Juan Carlos Ulate/Reuters)

Ray Massey is a London-based photographer who shoots mainly liquids, drinks, hands and still life.

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Award-winning photographer Barry Lewis has been picturing the weird and wonderful late-night Glastonbury experience for more than a decade. Shangri-La is a festival of contemporary performing arts held each year at Glastonbury festival, and Barry Lewis has documented its denizens. Here: Spa in Slumbarave’s Hotel Metropolis, Shangri-La, Glastonbury, 2009. (Photo by Barry Lewis/The Guardian)

A woman dressed for la “La Diablada” festival, walks down a road in Pillaro, Ecuador, Friday, January 6, 2017. Local legend holds that anyone who adopts a costume for the celebration and wears it at the event six years in a row will have good luck. (Photo by Dolores Ochoa/AP Photo)

Ramela Meseljevic, a 7 year-old girl born without both of her hands and one of her legs shorter than the other, writes during classes in the her school in Begov Han, Bosnia and Herzegovina December 2, 2015. International Day of Disabled Persons is observed on December 3 with the theme "Inclusion matters: access and empowerment of people of all abilities". (Photo by Dado Ruvic/Reuters)

The Mano de Desierto is a large-scale sculpture of a hand located in the Atacama Desert in Chile, 75 km to the south of the city of Antofagasta, on the Panamerican Highway. The nearest point of reference is the “Ciudad Empresarial La Negra” (La Negra Business City). The sculpture was constructed by the Chilean sculptor Mario Irarrázabal at an altitude of 1,100 meters above sea level. Irarrázabal used the human figure to express emotions like injustice, loneliness, sorrow and torture. Its exaggerated size is said to emphasize human vulnerability and helplessness. The work has a base of iron and cement, and stands 11 metres (36 ft) tall. Funded by Corporación Pro Antofagasta, a local booster organization, the sculpture was inaugurated on March 28, 1992.