Participants struggle to reach the prizes during a greased-pole climbing competition held as a part of the independence day celebrations in Jakarta, Indonesia, Sunday, August 17, 2014. Indonesia is celebrating its 69th independence from the Dutch colonial rule. (Photo by Dita Alangkara/AP Photo)

Australian ballet dancer Marilyn Rowe prepares to perform Swan Lake with the Australian Ballet at the Canberra Theatre in 1978. Rowe was appointed director of the Australian Ballet School in 1999. (Photo by John Crowther/The Guardian)

Women dancing at the disco club Xenon in New York City, USA in 1978. Xenon was a popular disco in Manhattan in the late 1970s and early 1980s. It was the only nightclub popular enough to compete with Studio 54. (Photo by Waring Abbott/Getty Images)

A hint of Spring Fever is evidenced by this passerby tipping his hat to a store fixture mannequin on a State St. sidewalk in downtown Chicago on March 23, 1978. The mannequin was awaiting pickup to be transported. (Photo by AP Photo)

A competitor tries to swipe away some grease as he slips off the “gostra”, a pole covered in grease, during the celebrations for the religious feast of St Julian, patron of the town of St Julian's, outside Valletta August 30, 2015. In the traditional “gostra”, a game stretching back to the Middle Ages, young men, women and children have to make their way to the top of a pole and try to uproot one of the flags to win prizes. Photo by Darrin Zammit Lupi/Reuters)

A participant wrestles with a pig in the “greased pig contest” at the Festival du Cochon (Pig Festival) in Sainte-Perpetue, Quebec August 8, 2015. (Photo by Christinne Muschi/Reuters)

Participants react as they climb a greased pole to collect vouchers for gifts during a “Panjat Pinang” event organised in celebration of Indonesia's 71st Independence day in Jakarta, Indonesia August 17, 2016. (Photo by Darren Whiteside/Reuters)

Kyaiktiyo, Burma, 1978. The Golden Rock at Shwe Pyi Daw (the Golden Country), the Buddhist holy place. Hiroji Kubota writes: “I was desperate to keep a distance from America for a while; luckily, I found Burma and its gentle and compassionate people. In the spring of 1978, on the top of the hill where I took this photo, I had two Leica bodies: the one with Tri-X and the other with Kodachrome 64. Soon after, I realised that the colour one looked very colourful and was more powerful. That was my decisive moment, to become a colour photographer”. (Photo by Hiroji Kubota/Magnum Photos)