Ma Jiaqi, 5, and her mother arrive at Beijing Railway Station for their train to Changchun of Jilin province, in Beijing, China, January 25, 2016. According to traffic police, over 2.9 billion trips will be made around China during the 40-day Spring Festival travel rush, which started on January 24. (Photo by Jason Lee/Reuters)

An image taken with a drone shows beach umbrellas and deck chairs as beachgoers enjoy the hot weather in Scheveningen, the Netherlands, 24 July 2019. The Royal Dutch Meteorological Institute has issued an official warning due to high temperatures affecting the country as well as Western Europe. (Photo by Sem van der Wal/EPA/EFE)

Fr. Denis Crosby blesses a live lamb during a Pattern Day mass to St. Brigid at the holy well of St. Brigid in Liscannor, Ireland February 1, 2017. (Photo by Clodagh Kilcoyne/Reuters)

Icicles are seen on a handrail along the coast at Donggang business district in Dalian, Liaoning province, China on December 27, 2018. (Photo by Reuters/China Stringer Network)

People visit Luke Jerram's “In Memoriam”, a temporary memorial artwork for all those who lost their lives due to COVID-19, in Seaton Carew Park, Hartlepool, Britain on August 20, 2021. (Photo by Lee Smith/Reuters)

A billboard for JELL-O stands at the corner of Grand Street and West Broadway on August 2, 2011 in New York City. The billboard acts as a mood-meter by analyzing Twitter and guaging the number of happy and sad emoticons used at any given moment, causing the billboard's face to change between a smile and a frown. (Photo by Andrew Burton/Getty Images)

Fabrice Monteiro travelled to the most polluted places in Africa and created terrifying characters who roamed their midst dressed in eerie debris. They are spirits, he says, on a mission to make humans change their ways. Informed by Africa’s environmental problems, Fabrice Monteiro’s photographs aim to highlight urgent ecological issues all over the world. His series “The Prophecy” is on show at Photo Basel 2017 until 18 June. (Photo by Fabrice Monteiro/Photo Basel 2017/Mariane Ibrahim Gallery/The Guardian)