Kourtney Roy makes eerie self-portraits in desolate yet dramatic locations – with wigs and wardrobe straight out of 1950s melodrama. In these shots, from her “Enter as Fiction – California” series, she plays characters caught in desolate, often abandoned settings. (Photo by Kourtney Roy/Galerie Catherine et André Hug/The Guardian)

In this November 18, 2014 photo, Murshida, 12, sits on the lap of her mother Marjina as the train leaves for their village in West Bengal, at a railway station in New Delhi, India. Six months ago, Marjina stepped off a train in New Delhi with her two children, hoping to find a better life after her husband abandoned them without so much as a goodbye. The family spent their days at a landfill picking through other people’s garbage to find salvageable bits to resell or recycle. After six months of poverty, illness and shame, they returned to that train station in New Delhi, headed back to an uncertain future to their hometown in West Bengal. (Photo by Altaf Qadri/AP Photo)

Dressers make last minute adjustments to the costumes of dancers performing as horses during a press preview of American artist Nick Cave's first major work shown in Australia, entitled HEARD.SYD in Sydney, November 8, 2016. Over several days the live art performance will feature 30 “horses” dancing to live percussion beats in suits made from coloured raffia plant fibres. (Photo by Jason Reed/Reuters)

Young “scissors” dancers pose after performing in a national scissors dance competition at Lima's Exposition Park, May 18, 2014. The Danza de las tijeras, or scissors dance, is a traditional dance from the Peruvian southern region of the Andes, in which two or more performers take turns dancing while accompanied with music from a harp and a violin. Dancers would display various skills and moves, which include cutting the air with the use of a scissors. (Photo by Enrique Castro-Mendivil/Reuters)

Margaret Morris dancers exercising on the sands at Saint-Idesbald. (Photo by Fox Photos/Getty Images). August 1929

Kritchaya “Lolita” Boonhor (R) curls her eyelashes in ladyboy Candy's (L) room while she chats her about her boyfriend, in Bangkok, Thailand, 27 November 2017. Most things in life are a question of negotiation. Lolita is a woman, that was not to be negotiated. What needed to be negotiated was how she was perceived by those around her. And that negotiation was one that took time and effort. (Photo by Lola Levan/EPA/EFE)