Handout photo issued by Easyart of an experimental motorcycle as an archive of weird and wacky innovations has been unearthed by an amateur historian as he trawled through a collection of images spanning the last 100 years. (Photo by Easyart/PA Wire)

Young Christian Lebanese women, who are members of Kataeb Phalangist party, show their skill in handling arms while they train in a village between Christian-controlled eastern port of Jounieh and the Christian village of Zahle in the west Lebanon on September 9, 1976. The Lebanese civil war erupted in April 1975. (Photo by Erich Stering/AFP Photo)

Iraq's second largest city, Mosul, is locked under the rule of extremists from the Islamic State group trying to purge it of everything they see as contradicting their stark vision of Islam. A trove of photographs now housed at the Library of Congress offers a glimpse of a different Mosul – before wars, insurgency, sectarian strife and now radicals' rule. The scenes were taken in the autumn of 1932 by staff from the American Colony Photo Department during a visit to Iraq at the end of the British mandate. (Photo by AP Photo)

At the beginning of the 20th century, Edward S. Curtis set out to document what he saw as a disappearing race: the Native American. From 1907 to 1930, Curtis took more than 2,000 photos of 80 tribes stretching from the Great Plains to the Pacific Northwest and Alaska. He then published and sold these photos, along with narrative text, in 20 volumes of work known as “The North American Indian”. It is one of the most significant collections of its kind, “probably the most important photographic document of its age and its topic,” said Jeffrey Garrett, associate university librarian for Special Libraries at Northwestern University. (Photo by Edward S. Curtis)

Gus Palmer (Kiowa, at left), side gunner, and Horace Poolaw (Kiowa), aerial photographer, in front of a B-17 Flying Fortress. MacDill Field, Tampa, Florida, ca. 1944. (Photo and caption by 2014 Estate of Horace Poolaw)

The “Dancing With Costica” series began when Australia-based photographer Jane Long decided to brush up on her retouching skills. After finding the Costica Acsinte Archive on Flickr, she became fascinated with the images and their subjects, wanting to bring them to life and give them a story. Here: the Costica photo on the left inspired Jane Long to create her version, titled “Innocence”. (Photo by Costica Acsinte Archive/Jane Long)

In this third of seven sequential photos, Elian Gonzalez is held in a closet by Donato Dalrymple, one of the two men who rescued the boy from the ocean, right, as government officials search the home of Lazaro Gonzalez for the young boy, early morning, April 22, 2000, in Miami, Florida. Armed federal agents seized Elian Gonzalez from the home of his Miami relatives before dawn, firing tear gas into an angry crowd as they left the scene with the weeping 6-year-old boy. This photo won the Prize in 2001. (Photo by Alan Diaz/AP Photo)

The book “Elektroschutz in 132 Bildern” (Electrical Protection in 132 Pictures) was published in Vienna in the early 1900s by a Viennese physician named Stefan Jellinek (1878-1968, a founder of the Electro-Pathological Museum). The pictures are nice and direct and unambiguous; they teach, graphically, that the surest way to kill yourself with electricity is to form a complete path from source (usually the bright red arrow) to ground (the screened back, pink arrow). Arrowheads provide the path for current flow. (Photo by The Vienna Technical Museum)