Clowns and entertainers gather to attend an annual service of remembrance in honour of British clown Joseph Grimaldi at All Saints Church in Haggerston in London, Britain, February 5, 2017. (Photo by Toby Melville/Reuters)

A woman washes clothes at a shelter for families displaced by gang violence at the Saint Yves Church in Port-au-Prince, Haiti on July 26, 2021. (Photo by Ricardo Arduengo/Reuters)

A view of St Thomas Becket church during the morning frost, in Fairfield, Kent, England, Thursday, January 6, 2022, following freezing overnight temperatures. (Photo by Gareth Fuller/PA Wire via AP Photo)

Young women walk through the cave of Saint George during Ashenda festival, at Saint George Church, in Lalibela, Ethiopia, on August 22, 2022. (Photo by Amanuel Sileshi/AFP Photo)

Cemetery overcrowding is an issue that resonates around the world, particularly in its most cramped cities and among religions that forbid or discourage cremation. The reality of relying on finite land resources to cope with the endless stream of the dying has brought about creative solutions... (Photo by Rodrigo Abd/AP Photo)

Italian pencil artist Marco Mazzoni‘s work goes far beyond technical perfection. His representation of historical healing women is enigmatic and sublime. Often leaving the eyes blank or covered with an abundance of birds, butterflies and flowers, he gives the impression of a deeper inward focused sight, as well as obscuring the identity of the individual. Many female healers in the past – both medicine woman and midwives – were brutally persecuted by religion, some even burnt as witches… Mazzoni’s work captures their deep connection with nature and their innate power and femininity with delicacy and beautiful detail.

A man carries a figurine of Santa Muerte or The Saint of Death during the first prayer of the New Year in Mexico City, Mexico January 1, 2017. Nuestra Señora de la Santa Muerte is a female deity of Mexican folk religion, venerated primarily in Mexico and the Southwestern United States. (Photo by Carlos Jasso/Reuters)

From the 1940s through the 1960s, the Alfred Mainzer Company of Long Island City, NY published a series of linen and photochrome humorous cat postcards illustrated by Eugen Hartung (or Hurtong) (1897–1973), sometimes referred to as “Mainzer Cats”. These postcards normally illustrate settings that are filled with action, often with a minor disaster just about to occur. While the dressed cats were by far the most popular and most plentiful cards, Hartung also painted other dressed animals – primarily mice, dogs, and hedgehogs.