Teyana Taylor attends the CFDA Fashion Awards at the Brooklyn Museum of Art on June 03, 2019 in New York City. (Photo by Dimitrios Kambouris/Getty Images)

In this handout image provided by Red Bull, Artem Silchenko of Russia dives from the 27 metre platform at training on Hong Island in the Andaman Sea during the final stop of the 2013 Red Bull Cliff Diving World Series on October 25, 2013 at Krabi, Thailand. (Photo by Romina Amato/Red Bull via Getty Images)

Competitors take part in the Red Bull Crashed Ice Cross Downhill World Championship in Marseille, France, January 14, 2017. (Photo by Jean-Paul Pelissier/Reuters)

Malabon Zoo owner Manny Tangco holds a full-grown but very small rooster named “Small But Terrible” from Malaysia to compare it with the giant red rooster from France named “Mr. Universe” as they are shown to the media as part of the “Roosters of the World” exhibition to celebrate the “Red Fire Rooster” in the Chinese lunar calendar Friday, January 27, 2017 in suburban Malabon city north of Manila, Philippines. The Roosters of the World exhibition features roosters from countries as the United States, Japan, United Kingdom, France, China, Malaysia, Indonesia and Poland. (Photo by Bullit Marquez/AP Photo)

Brooklyn-based artist Orly Genger comes to Manhattan with an installation called Red, Yellow and Blue. The work features the artists usage of intricately hand-knotted nautical rope covered in paint, creating a work that transforms the park’s lawns into colorfully-lined chambers that visitors can enjoy. The work will remain on view daily from May 2 through September 8, 2013 in Madison Square Park.

Competitors bear more than their bikinis during a spring break bikini contest at Summers' in Fort Lauderdale, Florida, USA circa 1985. (Photo by Nik Wheeler/Corbis via Getty Images)

Documentary photographer William E. Crawford was one of the first Western photographers to gain access to North Vietnam after the war ended. He has photographed the capital, Hanoi, at regular intervals since 1985, concentrating on the colonial and indigenous architecture, urban details, landscapes and intimate portraits of people in their home settings, street scenes and the city’s surrounding countryside. Here: 54 Hàng Ga (Chicken Street), 1994. (Photo by William E. Crawford from the book “Hanoi Streets 1985-2015: In the Years of Forgetting”)