Photographer Pol Kurucz’s vivid collection of photos explores issues faced by black Brazilian women, from political misrepresentation to unrealistic beauty standards. Kolor Collective is a Rio de Janeiro-based creative group that challenges the struggle faced by black women in Brazil through theatrical and provocative art. It was founded in 2015 by Franco-Hungarian photographer Pol Kurucz, who often touches on his own experiences of discrimination to call out sensitive social problems. (Photo by Kolor Art Collective/The Guardian)

A woman waits at a polio immunisation health centre, in Maiduguri, Borno State, Nigeria, August 29, 2016. Nigeria's military has liberated large swathes of land from Boko Haram but a ride with an army convoy, all guns firing for fear of ambush, shows how far the northeast is from normality after a brutal Islamist insurgency that has displaced millions. (Photo by Afolabi Sotunde/Reuters)

An actor dressed as a zombie performs during a drive-in haunted house show by Kowagarasetai (Scare Squad), for people inside a car in order to maintain social distancing amid the spread of the coronavirus disease (COVID-19), at a garage in Tokyo, Japan on July 3, 2020. A Japanese performance group is starting a run of drive-in horror shows for people who are scared of catching the coronavirus but still want to get close-up frights from ghouls and zombies. Audience members will drive into a garage in Tokyo, one car at a time, and listen to a murder story and sound effects blared out of speakers, as actors dressed as monsters bang on the side of the vehicle and spray fake blood over the windows. (Photo by Issei Kato/Reuters)

Female Iraqi Kurdish peshmerga fighters watch on as they release a bear into the wild in the Gara Mountains near the northern Iraqi city of Dohuk on March 4, 2018, after Iraqi Kurdish Animal rights activists from a local NGO rescued it from a private home. (Photo by Safin Hamed/AFP Photo)

People work to rescue a dog from under rubble, in the aftermath of a deadly earthquake, in Iskenderun, Turkey February 8, 2023, in this screengrab obtained from a social media video. (Photo by Gurcan Ozturk via Reuters)

Two women cry in grief after armed assailants in a motorcycle shot their loved one in a main thoroughfare on July 23, 2016 in Manila, Philippines. The victim was an alleged drug peddler a claim disputed by his wife and maintained her husband is nothing more than a pedicab driver plying his trade when he was shot in front of her. Philippine President Rodrigo Duterte declared a war on crime and drugs after winning the presidential elections on May 9, 2016. President Duterte has recently been living up to his nickname, “The Punisher”, as Philippine police have been conducting night time drug raids on almost a daily basis. (Photo by Dondi Tawatao/Getty Images)

Serbian police officers of the Special Anti-Terrorist Unit pose for a picture in their base outside Belgrade October 8, 2014. When the killing of an unarmed black teenager by a white policeman in Ferguson, Missouri, in August sparked sometimes violent protests, the response of police in camouflage gear and armoured vehicles wielding stun grenades and assault rifles seemed more like a combat operation than a public order measure. Some U.S. police departments have recently acquired U.S. military-surplus hardware from wars abroad, but there are many law enforcers around the world whose rules of engagement also allow the use of lethal force with relatively few restrictions. But for every regulation that gives police wide scope to use firearms, there is another code that sharply limits their use. In Serbia, police may use measures ranging from batons to special vehicles, water cannon and tear gas on groups of people who have gathered illegally and are behaving in a way that is violent or could cause violence, but they may use firearms only when life is endangered. (Photo by Marko Djurica/Reuters)