A shoebill is displayed at Ueno Zoo in Tokyo August 28, 2012. (Photo by Itsuo Inouye/Associated Press)

A woman and her dogs stop and look at a store mannequin wearing a dog's head mask outside a fashion shop in Nice, France, May 3, 2016. (Photo by Eric Gaillard/Reuters)

A demolition company explodes the support beams and columns in the roof of the Deutschlandhalle event location on December 3, 2011 in Berlin, Germany. (Photo by Adam Berry/Getty Images)

Doutzen Kroes and Candice Swanpoel arrive at the Mert Alas x Marcus Piggot book launch party at Public Hotelon September 7, 2017 in New York City. (Photo by Pierre Suu/GC Images)

A Muslim man carries holy incensed smoke through a pedestrian subway in Mumbai, India, May 13, 2016. (Photo by Danish Siddiqui/Reuters)

U.S. President Barack Obama laughs as he reads the storybook “Where the Wild Things Are” during the annual Easter Egg Roll at the White House in Washington April 6, 2015. Thousands of children gathered at the White House for the annual Easter Egg Roll. This year's event features live music, cooking stations, storytelling, and of course, some Easter egg roll. (Photo by Jonathan Ernst/Reuters)

This artist has put together an amazing picture set of a man blending into the Seven Wonders of the World with her incredible body art. New York artist Trina Merry is known for her unique style that blends body art with photography but in her Lost in Wonder series shes painted a models body to blend into some of the worlds most iconic locations. She had her subject, UK model Kyle James, pose fully painted in front of the Great Pyramid of Giza, the Great Wall of China, Petra, The Colosseum, Machu Picchu, Stone Henge and Easter Island. Here: Colusseum. (Photo by Trina Merry/Caters News)

“Woman with Umbrella in Rain” by Raimund von Stillfried. Artist: Kusakabe Kimbei (Japanese, 1841–1934), 1870s. Commercial photography studios in Meiji-era Japan were renowned for the subtlety and refinement of their coloring techniques. This hand-tinted image of a young woman caught in a heavy rainstorm achieved its naturalistic effect by knitting together multiple strands of artifice: the greenery in the foreground was a studio prop; the flaps of the kimono were suspended by thin wires to create the impression of a strong wind; and long, diagonal marks were made on the negative to suggest streaks of rain. (Photo courtesy of The Metropolitan Museum of Art)