“Mehndi or menhdi is the application of henna as a temporary form of skin decoration in India, as well as by expatriate communities from the country. The word mehndi is derived from the Sanskrit word mendhikā. The use of mehndi and turmeric is described in the earliest Vedic ritual books. Haldi (Staining oneself with turmeric paste) as well as mehndi are important Vedic customs as a symbolic representation of the Outer and the Inner Sun. Vedic customs are meant to awaken the “inner light” and so the gold of the inner Sun has an important symbolic function”. – Wikipedia

Photo: Application of henna or “Mehndi” to a girls hand in a market on October 18, 2010 in Jaipur, India. (Photo by Simon de Trey-White/Getty Images)

While communism, collectivism, worms, dry rot and casual looting failed to destroy the majestic wooden churches of Russia, it may be ordinary neglect that finally does them in. Dwindled now to several hundred remaining examples, these glories of vernacular architecture lie scattered amid the vastness of the world’s largest country. Just over a decade ago, Richard Davies, a British architectural photographer, struck out on a mission to record the fragile and poetic structures. Austerely beautiful and haunting, “Wooden Churches: Traveling in the Russian North” (White Sea Publishing; $132) is the result. Covering thousands of miles, Mr. Davies described how he and the writer Matilda Moreton tracked down the survivors from among the thousands of onion-domed structures built after Prince Vladimir converted to Christianity in 988.

Russian soldiers are pictured next to the Reichstag building in this undated photo taken May 1945 in Berlin. Some 70 years on from the Battle for Berlin, instrumental in the end of World War II, Reuters photographer Fabrizio Bensch unearthed pictures by Red Army photographer Georgiy Samsonov, showing his portrayal of a city laid siege. Bensch bought an exactly equivalent FED camera, a Soviet copy of the German-made Leica II, choosing to use black and white film to capture images of the self-same locations he detected his way to in modern-day Berlin. (Photo by Georgiy Samsonov/Reuters/MHM)

Freelance illustrator and graphic designer Aurélien Police was born in France in 1978. He has already worked and is currently working on projects for the music and publishing industries (book covers, CD design, children book illustrations). He uses computer as melting pot to mix up all sorts of raw materials, erasing the frontiers between all possible media so as to provide his pictures with a graphic finishing of his own. Flirting with various themes -often associated with fantasy, detective or supernatural- allows him to translate in pictures his own personal vision of those genres.

British visitors wearing Bavarian costumes walk ahead the opening of the traditional Bavarian Oktoberfest festival at the Theresienwiese in Munich, southern Germany, on September 20, 2014. Germany's world-famous Oktoberfest kicks off with millions of revellers set to soak up the frothy atmosphere in a 16-day extravaganza of lederhosen, oompah music and, of course, beer. (Photo by Karl-Josef Hildenbrand/AFP Photo/DPA)

“Catasta” wearing a latex hexus costume poses in the grounds of St Mary's Church during the “Whitby Goth Weekend”, North Yorkshire, on November 2, 2014. The event grew out of the punk scene in 1984 with its own style of music and fashion. The event in Whitby now attracts Goths from all over Europe and creates over 1 million pounds in revenue for local busnisess. (Photo by Anna Gowthorpe/PA Wire)

Leading contemporary artist Remi LaBarre describes his evocative oils as “painted songs”. Influenced by John Singer Sargent, his work reflects the lighting of hushed environments and presents poetic narratives of life after dark in bars and clubs. Remi's acclaimed artwork has won him a formidable reputation in Europe and North America. His premier UK collection features a breathtaking quartet of musical portraits which represent an atmospheric homage to his great love of jazz.

Skoda is promoting the Fabia vRS with “Mean Green”, a television commercial filmed at the factory in the Czech Republic, showing a meaner side to the 180hp 1.4L TSI turbo and supercharged Fabia hatchback. The commercial begins with the brutal destruction of the Fabia cake commercial from 2007, with the Sound of Music “Favourite Things” track providing an ongoing sense of irony. The online campaign in the UK invites visitors to decide between lovely and mean, choosing between gingerbread and venom.