A girl with white powder on her face celebrates the Songkran holiday which marks the Thai New Year in Bangkok, Thailand, on April 14, 2024. (Photo by Chalinee Thirasupa/Reuters)

Women dressed in traditional attire participate in a procession to mark Gudi Padwa or the Marathi New Year in Mumbai, India, Sunday, March 30, 2025. (Photo by Rajanish Kakade/AP Photo)

“Ninots” or giant figures, depicting doves of peace fighting over an olive branch by artist Escif, are displayed in the streets before being burned during the traditional annual Fallas festival, in Valencia, Spain, on March 15, 2024. (Photo by Eva Manez/Reuters)

Families and children play at Brimham Rocks during their half term break in North Yorkshire, UK on February 18, 2025. (Photo by James Glossop/The Times & Sunday Times)

Sophie Roberts admires Angel of the Trench by artists Laura and Paul Carey at the Himalayan Garden and Sculpture Park near Masham, North Yorkshire, UK on October 14, 2025. (Photo by James Glossop/Times Media Ltd)

An attendee dressed as Winnie the Pooh talks with a member of the D.C. Metropolitan Police Department during the annual pre-Halloween High Heel Race in Washington, D.C., U.S., October 28, 2025. (Photo by Nathan Howard/Reuters)

“Falling Back To Earth” promises to be both spectacular and meditative, and presents a beautiful, thought-provoking vision of our relationship with the earth and with each other. (Photo by Dave Hunt/EPA)

In Weronika Gęsicka’s unsettling images, American archive photography gets distorted into scenes that are both nightmarish yet somehow entirely plausible. Gęsicka is a guest artist at the Circulations festival for young European photographers, Paris, until 5 March. Here: “Untitled #5”. (Photo by Weronika Gęsicka/The Guardian)