Sun Jifa, a farmer in China, had his life changed forever when an explosive he planned on using for fishing went off prematurely. He lost his arms and when he couldn’t afford high-end, hospital-made prosthetics he opted for a cheaper set. Finding those to be less than acceptable, Sun started building his own pair of arms, which he currently wears. It’s an incredible story of ingenuity and personal strength.

To produce the images that convey his fatalistic and ironic approach to life, tinged with hope, he needed the environment and knowledge of Mother Russia, oiled with a bit of bribery to certain circus trainers. Enter the Great Russian Bear, the personification of Russia for the last several centuries, onto center stage and into his studio. The bear is recognized as both brutish and cute – Misha was the mascot for the 1980 Olympic Games – and has remained a symbol of Russia since Tsarist times. In 2009 it is the symbol of the United Russia Party.

An undated archive picture shows a dog pulling a Belgian machine gun at an unknown location in northern France. A Viscount in the Armoured Cavalry Branch of the French Army left behind a collection of hundreds of glass plates taken during World War One (WWI) that have never before been published. The images, by an unknown photographer, show the daily life of soldiers in the trenches, destruction of towns and military leaders. The year 2014 marks the 100th anniversary of the start of WWI. (Photo by Collection Odette Carrez/Reuters)

To an outsider, their passion is at times illegal and often on the verge of life and death. But climbing rooftops of high-rise buildings and exploring abandoned facilities is in the blood of these young Muscovites. The small group calls itself “Rudex”, which stands for “roof and decay exploration”, and is akin a Western youth craze known as urbex or “urban exploration” of man-made structures. Here: Urban explorer Vad Him of Rudex team jumps whilst on a rooftop in Moscow, Russia, August 14, 2017. (Photo by Maxim Shemetov/Reuters)

In this May 24, 2017, photo, DriveTanks.com customers drive on a tank course at Ox Ranch in Uvalde, Texas. The ranch is a free-roaming range filled with exotic animals, some to hunt, and home to DriveTanks.com, where tourists pay to transport themselves into another era and another life. (Photo by Michael Ciaglo/Houston Chronicle via AP Photo)

Berlin-based artist Sebastian Bieniek unfolds the story of a two-faced female in his series of photographs “doublefaced”. Using an eye pencil and lipstick, bieniek simply draws an image of a face onto the side of skin. The sketch includes only one eye: carefully placed hair hides the rest of the face from view, revealing one, moving eye of the model. Blue, brown, awake, and sleeping variations create portraits with unique expressions and an illustrative sensibility. The 22 photographs of the hybrid girl expose her daily routine – drinking coffee, traveling on the train, taking a shower, and smoking cigarettes – capturing the daily life of a female with two faces.

These timeless postcards offer an eye-opening glimpse into life in Japan in the early 20th century. Taken from hand-colored photographs, the postcards showcase the still beauty of the country, depicting a nation on the cusp of modernization. The images feature solemn fishermen, bustling streets, temples and shrines: a country yet to be influenced by Western culture. The tinting effect brings out the rich colors of the natural surroundings, with trees, flowers and cherry blossoms jumping from the original black-and-white images. Here: Toyokuni Shrine Nakanoshima, Osaka, Japan. (Photo by New York Public Library/Caters News)

Miles Van Rensselaer using everything from glass and crystal to bronze and iron, from gold and silver to tooth and bone, from steel, copper and lead to wood, clay, feather and hair. He has been fortunate enough to work – and humbled by working – with and among talented artists from all over the world. His work is his homage to these people and their vanishing ways of life, his translation of their technique, imagery, idea of “primitive” art into modern Western materials.