That's exactly what Vionnet's "Photo Opportunities" series does: takes hundreds of tourist photos of iconic landmarks, superimposes them into semi-transparency, and lets a dreamlike meta-image emerge.

An elephant from Earl's Court Circus with a man in its mouth, 1928. P.S. All pictures are presented in high resolution.

A boy plays on the glass at Thailand's first skywalk in Bangkok, Thailand on November 18, 2018. (Photo by Soe Zeya Tun/Reuters)

American singer-songwriter Taylor Swift eyes are caught in a photographer's flash as she arrives on the red carpet for the “Billboard Women in Music” event in Los Angeles, California, U.S., December 12, 2019. (Photo by Mike Blake/Reuters)

French photographer Laurent Chehere's “Flying Houses” exhibit takes workaday houses and lets them lift the imagination. The exhibit is showing at the Muriel Guépin Gallery in New York. Photo: Laurent Chehere's “Flying Houses”: “The Great Illusion”. (Photo by Laurent Chehere)

In his new powerful photo series "Judging America," photographer Joel Pares seamlessly fades photos of an unfounded ethnic stereotype with people's real professions. Starting with a simple photo that's based on the stereotypes associated with a person's appearance, Pares fades to their real profession to make us realize how deceiving looks can truly be.

The last series of Sam Taylor-Wood's that I have looked into is called Bram Stoker's Chair. This series links with her Suspended series in that they both show the artist seemingly poised in mid-air. These photos have the added element of the chair being there for her to balance on, giving her more of a physical connection with her surroundings.

Japan's electronics equipment maker MuRata Manufacturing Co., Ltd's showcased their bicycle-riding robot “MuRata Boy” during the CEATEC Japan 2006 exhibition on October 3, 2006 in Chiba, Japan. The “MuRata Boy” robot can ride up a 25-degree slope, stop without losing its balance and make an S-curve without falling. (Photo by Koichi Kamoshida/Getty Images)