Blizzard in the High Peak, Derbyshire, by John Finney: “After a difficult journey in the snow, I made my way from Mam Tor down onto the Great Ridge. As the clouds got darker, I placed the tripod and camera at just the right angle to avoid snow getting onto the lens, and used a flash gun and a relatively slow shutter speed to highlight the fast motion of the blizzard”. Classic view, adult class – winner. (Photo by John Finney/Landscape Photographer of the Year)

The Historic Photographer of the Year awards celebrate historic places and cultural sites across the globe, from national treasures to hidden gems. Entries were judged on originality, composition and technical proficiency as well as the story that inspired the submission and its historical impact. Here: Overall winner. Mont Saint-Michel by Daniel Burton. (Photo by Daniel Burton/The Guardian)

A selection of prizewinning images from the Take a View 2016 photography awards. Here: Finding Gold, taken in Wast Water in Cumbria, which won the Great Britain #OMGB “Home of Amazing Moments” award. (Photo by Mark Gilligan/PA Wire)

Rowan Atkinson attends the UK premiere of Johnny English Reborn at The Empire Leicester Square on October 2, 2011 in London, United Kingdom. (Photo by Dave Hogan/Getty Images)

The Bratz Rock Angels are displayed at the Dream Toys 2005 Pre-Christmas Expo on October 5, 2005 in London. (Photo by Daniel Berehulak/Getty Images)

“Misty Rainbow”. A rainbow appears over tea fields in Tangerang Selatan, Indonesia. (Photo by Dani Agus Purnomo/Royal Meteorological Society’s Weather Photographer of the Year Awards)

The sun rises between Sgurr nan Gillean and Knight’s Peak, Black Cuillin, Isle of Skye. (Photo by Adrian Trendall/Mountain Photo of the Year)

Wide-angle category winner. Part of the Illusion by Marcus Blatchford (UK). Location: National Dive & Activity Centre, Chepstow, Wales. “This is the deepest inland dive centre in the UK. The dive plan was to explore the deep end, but this time I dived ‘unplugged’ (without my strobes). With the exception of this change to my camera technique, there were no planned shots I wanted to achieve – just a fun dive with ad-hoc photos along the way. Shortly after this photo was captured, in 6C water and two hours of decompression ahead of us, we turned and started the long ascent back to the surface”. (Photo by Marcus Blatchford/Underwater Photographer of the Year 2016)