A macaque crosses a pedestrian overpass in Hong Kong, China, 08 November 2021. According the Agriculture, Fisheries and Conservation Department, AFCD, the total population of wild monkeys in Hong Kong is about 1,800, distributed in 30 social troops. (Photo by Jerome Favre/EPA/EFE)

A white tiger cools off inside its enclosure on a hot summer day at a zoo in Lahore on May 9, 2022. (Photo by Arif Ali/AFP Photo)

A Palestinian man rides his horse on the beach at sunset in the northern Gaza City, 18 Novemebr 2021. (Photo by Mohammed Saber/EPA/EFE)

Inger Utke, left, takes a selfie with Edwin Galarza, dressed as a “Star Wars” themed dinosaur, during Preview Night at Comic-Con International held at the San Diego Convention Center, Wednesday, July 20, 2016, in San Diego. (Photo by Denis Poroy/Invision/AP Photo)

An illuminated Christmas tree leans against the window of a damaged house in Mayschoss in the Ahrtal valley, southern Germany, Tuesday, December 14, 2021. The region was hit by floodings exactly five months ago, causing the death of about 180 people. Amid the mud and debris still clogging the streets from last summer's devastating floods, residents of the Ahr Valley in western Germany are trying to spark some festive cheer with Christmas trees. (Photo by Michael Probst/AP Photo)

The giant inflatable Rubber Duck installation by Dutch artist Florentijn Hofman floats on the Parramatta River, as part of the 2014 Sydney Festival, in Western Sydney, January 10, 2014. The creation is five stories tall and five stories wide and has been seen floating in various cities around the world since 2007. (Photo by Jason Reed/Reuters)

Alex Prager is an American art photographer and filmmaker based in Los Angeles. Her photographs primarily use staged actors, models and extras to create “meticulously designed mise en scène”, often described as film-like and hyperreal. “Alex Prager: Silver Lake Drive” is at the Photographers’ Gallery, London, 15 June – 14 October 2018. Here: The Big Valley, Susie and Friends, 2008. (Photo by Alex Prager Studio/Lehmann Maupin Gallery)

A cosplayer dressed as a “remote worker” with “corporate slave” written on his glasses poses for a photo on New Year's Eve at Comiket, the largest comic market that had been postponed for two years because of the coronavirus disease (COVID-19) pandemic, in Tokyo, Japan December 31, 2021. (Photo by Androniki Christodoulou/Reuters)