An Oktoberfest visitor swings her dirndl, at the start of Oktoberfest, on Munich's Theresienwiese, in Germany, Saturday, September 20, 2025. (Photo by Karl-Josef Hildenbrand/dpa via AP Photo)
A boy uses remnants of ordnance as he prepares dough inside Abu Khaled's shop in the Douma neighborhood of Damascus April 28, 2015. Abu Khaled opened a shop for making “barley bread” using remnants of weapons including rockets, tank shells and other ordnance fired by forces loyal to Syria's President Bashar al-Assad. (Photo by Amer Almohibany/Reuters)
Vivid Sydney is a unique annual event of light, music and ideas, featuring an outdoor 'gallery' of extraordinary lighting sculptures, a cutting-edge contemporary music program, some of the world's most important creative industry forums and, of course, the spectacular illumination of the Sydney Opera House sails. It positions Sydney as the creative hub of Australia and the Asia-Pacific region, and delivers both innovative live entertainment and creative inspiration on a grand scale.
Photographer Mihaela Noroc travelled the world from Ethiopia to the US and from Guatemala to France in search of natural and authentic beauty. She introduces some of the inspiring women she met on her journey. Here: Ecuador. “More and more tribes of Amazonia are starting to adopt modern clothes for everyday life. But they are still keeping their traditional clothes for important events. I photographed this young woman in her wedding outfit”. (Photo by Mihaela Noroc/The Guardian)
Children play on a donkey cart belonging to an elderly Afghan refugee sleeping on a roadside on the outskirts of Islamabad, Pakistan, Wednesday, February 18, 2015. (Photo by Muhammed Muheisen/AP Photo)
“Woman with Umbrella in Rain” by Raimund von Stillfried. Artist: Kusakabe Kimbei (Japanese, 1841–1934), 1870s. Commercial photography studios in Meiji-era Japan were renowned for the subtlety and refinement of their coloring techniques. This hand-tinted image of a young woman caught in a heavy rainstorm achieved its naturalistic effect by knitting together multiple strands of artifice: the greenery in the foreground was a studio prop; the flaps of the kimono were suspended by thin wires to create the impression of a strong wind; and long, diagonal marks were made on the negative to suggest streaks of rain. (Photo courtesy of The Metropolitan Museum of Art)
Cracks are seen on one of the shrines at Swoyambhunath Stupa, a UNESCO world heritage site, after Saturday's earthquake in Kathmandu, Nepal April 28, 2015. (Photo by Navesh Chitrakar/Reuters)