Blow-up unicorns, a pig on a pulley and chickens on the lam populate the polychrome pictures in this year’s LensCulture street photography awards. Here: Subida Al Cielo, by José Nieto. Finalist, single image. (Photo by José Nieto/LensCulture 2018 Street Photography Awards)

Photographer of the year second place. “Girl with the Violin”. Location: Colorado, US. Shot on iPhone 13 Pro. United States. (Photo by Kelly Dallas/Courtesy of the artist and IPPAWARDS)

The UK VELUX Lovers of Light competition attracted 15,000 entries from amateur, professional and mobile phone photographers. Entrants were asked to create a landscape image which celebrates and captures daylight. The judges have whittled these down to a shortlist of ten finalists. The winner will be announced at the end of march with the snapper of the best shot winning a trip to Norway – which will be made during the summer period when the country experiences 24 hour daylight. Photo: “Carousel in the mist”; Prokoshko, Bosnia. (Photo by Marko Stamatovic/PA Wire)

“Don't take the life too serious”. (Photo by David Olkarny)

Scene of action – Gonk Kong. Action time – 2012. Genre: street photo. In my opinion, very interestingly, enjoy. (Photo by Arnd)

Three elephant seals put on a show in Roie Galitz's “Three Tanors”, taken on January 7, 2016 in South Georgia Island. The Comedy Wildlife Photography Awards are in full swing, so check out some of the fierce competitors jostling for the top prize this year. Photographers Paul Joynson-Hicks MBE and Tom Sullam founded the awards to spotlight wildlife conservation efforts and to inject some humour into the world of wildlife photography. (Photo by Roie Galitz/CWPA/Barcroft Images)

Andrew Parkinson, animal behaviour category winner: Crepuscular Contentment, Derbyshire. “In 15 years of working with badgers I’ve never seen a badger sit out in the open to have a scratch. I was sat concealed behind a tree and downwind so it was especially nice that the badger had his back to me, demonstrating just how inconspicuous and inconsequential my presence was”. (Photo by Andrew Parkinson/British Wildlife Photography Awards 2017)