A robot is seen on Mount Etna, Italy on July 4, 2017. Mount Etna, in Sicily, is a test bed for the approximately three-foot high, four-wheeled machine ahead of a future mission to the moon. It is being conducted by the German Aerospace Centre, the agency which runs Germany's space programme. (Photo by Antonio Parrinello/Reuters)

NASAs Desert Research and Technology Studies (Desert RATS) team members practice with a Moon rover prototype for future Artemis missions at the Black Point Lava Flow near Flagstaff, Arizona, on October 24, 2022. (Photo by Olivier Touron/AFP Photo)

Space shuttle Atlantis launches from pad 39A on July 8, 2011 at the NASA Kennedy Space Center in Cape Canaveral, Florida. The launch of Atlantis, STS-135, is the final flight of the shuttle program, a 12-day mission to the International Space Station. (Photo by Bill Ingalls/NASA via Getty Images)

Karezoid Michal Karcz is a photographer from Warsaw, Poland. He first started with painting, which helped him to develop a vision that was hard to create with other visual techniques. Then in early 90s discovered photography. His early fascinations of painting and photography have been combined into one piece, with the use of digital tools. Digital photography gave him the opportunity to generate unique realities that were impossible to be created with an ordinary dark room techniques.

A sculptural artwork depicting former Chilean dictator Augusto Pinochet and headless presidents shot by a hooded high school student (not pictured) is seen at the Contemporary Art Museum in Santiago, December 2, 2014. The artwork, part of the “El ladrillo angular” (The angular brick) exhibition, portrays a student fighting against the ongoing continuity of dictatorship because of a political and economic system which has been impossible to destroy, according to “Papas Fritas” the artwork's creator. (Photo by Ivan Alvarado/Reuters)

Andrew Ferez, born and raised in Russia is an artist who inherited his creativity and interest in the arts early on and trained his artistic skills and knowledge ever since, in a never-ending process.
Andrew’s genre is a mix between macabre and horror with a poetic hint. His illustrations transports us into the deepest recesses of our mind, showing us impossible worlds that are both scary yet surprisingly familiar or enticing. Most of his artworks are two dimensional but in some of his latest artworks he used the help of some 3D software as well.

“I am not a photo reporter, so I don’t feel obligated to honour every detail. What I’m trying to achieve is to emphasize the whole potential of a shot, creating a sight that I'd like if existed.. And since it’s impossible in real life, I do it in virtual :) My work is maybe more similar to ‘photo-painting’ than photography”. – Katarina Stefanović

Photo: Pannonian spring fantasy. (Photo by by Katarina Stefanović)

A not-so-famous photographer Robert Jahns can do impossible things with common photos. He takes two pictures and joins them into a single composition. Thanks to this creative idea, which is based on the combination of contrasts, ordinary photos become interesting and attractive. Jahns combines several pictures into one seamless scene. A leafless crown of the tree, layered onto deer antlers, creates a real and natural continuation of the deer`s head. Likewise, a rollercoaster with an overview of the city frightens us by being very realistic. (Photo by Robert Jahns A.K.A. Nois7)