“Fernando Botero Angulo (born April 19, 1932) is a Colombian figurative artist. His works feature a figurative style, called by some “Boterismo”, which gives them an unmistakable identity. Botero depicts women, men, daily life, historical events and characters, milestones of art, still-life, animals and the natural world in general, with exaggerated and disproportionate volumetry, accompanied by fine details of scathing criticism, irony, humor, and ingenuity”. – Wikipedia

Photo: The Duke and Duchess of Devonshire view “Dancers” by artist Fernando Botero in the gardens of their home Chatsworth House on September 10, 2009, Chatsworth, England. (Photo by Christopher Furlong/Getty Images)

A visitor to the New Museum walks through the “Carsten Holler: Experience”, exhibition at the museum on December 14, 2011 in New York City. The show, which has been called an art world amusement park, includes a 102-foot slide that corkscrews down from the fourth floor to the second; an installation of flashing lights that is supposed to make you hallucinate and a sensory-deprivation tank that is meant to resemble the Dead Sea. (Photo by Spencer Platt/Getty Images)

Employee Victoria Livesey walks past Banksy's “Kate Moss 2005” on display at Bonhams on March 23, 2012 in London, England. The painting, estimated at GBP 30,000 – 50,000, USD 48,000 – 79,000 and 35,000 – 59,000 euros forms part of the Urban Art Sale, which takes place at Bonhams on March 29, 2012. (Photo by Peter Macdiarmid/Getty Images)

“Pieter Hugo was born 1976 and grew up in Cape Town, South Africa. He is a South African photographer who primarily works in portraiture and whose work engages with both documentary and art traditions with a focus on African communities. His most recognized work is the series called “The Hyena & Other Men” and which was published as a monograph. It has received a great deal of attention. Hugo won first prize in the Portraits section of the World Press Photo 2005 for a portrait of a man with a hyena”. – Wikipedia

Photo: Abdullahi Mohammed with Mainasara, Ogere-Remo, Nigeria 2007. (Photo by Pieter Hugo)

Mike De Butts adds the finishing touches to a giant Baobab Tree sculpture entitled “Under the Baobab”, outside the Southbank Centre on May 24, 2012 in London, England. The Pirate Technics' installation is made from a selection of brightly coloured fabrics from around the world, and is part of the Southbank Centre's “Festival of the World” exhibition, which includes a series of large scale pieces of art that will be in place around the Southbank centre over the Summer. (Photo by Dan Kitwood)

One hundred artists were given an opportunity to uniquely redesign 100 phone booths in São Paulo. The result is beyond all expectations. One hundred completely useless or just vandalized booths were transformed into incredible works of art.

Work: Live Connected
Artist: Juarez Fagundes
Address: Avenida Paulista, Parque Trianon – opposite the park

Redhead Day (Roodharigendag in Dutch) is the name of a Dutch summer festival that takes place each first weekend of September in the city of Breda, in the Netherlands. The two-day festival is a gathering of people with natural red hair, but is also focused on art related to the colour red. Activities during the festival are lectures, workshops and demonstrations which are aimed specifically at red-haired people. The festival attracts attendance from 50 countries and is free due to sponsorship of the local government.

Moroccan photographer and filmmaker Achraf Baznani carries on the traditions of Surrealism with his wild, imaginative, and wholly impractical imagery. Among his inventive scenarios, small human figures—often the artist himself—appear trapped within glass jars or the size of a camera lens; in other works, Baznani more or less dissects his body, as for example, in one, he cleanly removes his brain from his cranium, or in another, twists off his hand, much as if it were a light bulb. Imparted throughout such works are strong senses of humor and wonder, and as such, Baznani’s art offers a Surrealistic take on life experience in the digital age.