Young Russian women dance to the music of Soojin on the pedestrian of Nikolskaya street near Red Square and the Kremlin in Moscow, Russia, Thursday, July 18, 2024. Seo Soo-jin, better known mononymously as Soojin, is a South Korean singer, dancer, and rapper, who has many fans in Russia. (Photo by Alexander Zemlianichenko/AP Photo)

Nepal's indigenous women in traditional attire gather to participate in a rally to mark the International Day of the World's Indigenous People in Kathmandu, Nepal, Friday, August 9, 2024. (Photo by Niranjan Shrestha/AP Photo)

People move on a tractor through a flooded street amid severe flooding in Feni, Bangladesh, on August 25, 2024. (Photo by Mohammad Ponir Hossain/Reuters)

College students dress in the guise of Hindu deities Krishna and Radha, ahead of Janmashtami festival, in Chennai on August 23, 2024. (Photo by R.Satish Babu/AFP Photo)

A woman feeds cats at Mar Elias Palestinian refugee camp in Beirut, Lebanon, on August 28, 2024. (Photo by Ahmed Saad/Reuters)

A law enforcement officer stands guard near a damaged multi-storey residential building following an alleged Ukrainian drone attack in the course of Russia-Ukraine conflict, in Ramenskoye in the Moscow region, Russia on September 10, 2024. (Photo by Maxim Shemetov/Reuters)

“Originally published in the April 9, 1951, issue of LIFE magazine, W. Eugene Smith’s photo essay, «Spanish Village», has been lauded for more than six decades as the most moving photographic portrait ever made of daily life in rural Spain during the rule of dictator Francisco Franco”. – Time & Life Pictures. Photo: His wife, daughter, granddaughter and friends have their last earthly visit with a villager. (Photo by W. Eugene Smith/Time & Life Pictures)

Photographer Sandro Giordoan has created a photo series of people who look like they’ve just taken terrible falls, spilling all their things around them. “Each shot ‘tells’ about worn out characters who, as if a sudden black-out of mind and body took over, let themselves crash with no attempt to save themselves, unable, because of the fatigue of the everyday ‘representation’ of living, oppressed by ‘appearance’ instead of simply ‘existing’,” said Giordano. (Photo by Sandro Giordoan)