When Roberto Perez (also known as Rob The Original) gives you a haircut, it’s probably not going to be just a haircut. This San-Antonio-based artist and hair stylist creates amazing works of art using nothing but his clients’ scalp and hair as his canvas. Perez can create just about anything he or his clients can think of – from a photo-realistic portrait or illustration to full-head paintings or graphic designs.

Farhad Moshiri, an Iranian artist working a lot with carpet media using it as a mean to joke about consumerism culture, was one of the participants of the group show Love Me Love Me Not of Yarat! pavilion curate by Dina Nasser-Khadivi (read on her curating Lalla Essaydi's Harem here) at Venice 2013 Art Biennial. The installation consists of more than 500 carpets depicting celebrities-covered magazines from all over the world.

Latvian cyclists have decided to show the automobilists just how absurd it is to have only a single occupant in a car. The car takes up an enormous amount of space on the road; however, everyone is so used to it that no one ever notices it. It’s not hard to guess the thoughts of automobilists, and how they cursed those cyclists for taking up so much space. However, they have only themselves to blame. If everyone rode only bicycles to work, then there would never be such a thing as a traffic jam, the air in the city would become cleaner, while people would live longer, healthier lives, since cycling is a wonderful way to use the extra fat on your belly as the “fuel” for your bike.

One glance at the 3D models created by Rebeca Puebla is enough to realize that this artist has a soft spot for BDSM. The finely detailed model of a nun with heavily tattooed hands and a ball gag in her mouth or an Asian woman in a latex suit of a horse leave no doubt about it. At first, Rebeca Puebla has started out as a traditional illustrator. However, in later years she became a 3D character artist for films, TV, and video games. Though she has many regular-looking 3D models and illustrations, many of her works are quite controversial featuring 3D models of ladies in latex suits or wearing Nazi uniforms. (Photo by Rebeca Puebla)

In this March 31, 2019 photo, an Egyptian student borrows a Bedouin wedding dress to pose for a photograph with Bedouin men from the Hamada tribe, in Wadi Sahw, Abu Zenima, in South Sinai, Egypt. Four Bedouin women are for the first time leading tours in Egypt’s Sinai Peninsula, breaking new ground in their deeply conservative community, where women almost never work outside the home or interact with outsiders. The tourists can only be women, and the tours can’t go overnight. Each day before the sun sets, the group returns to the Hamada’s home village in Wadi Sahu, a narrow desert valley. (Photo by Nariman El-Mofty/AP Photo)

A polar bear whose bottom half is caked in oily black gunk. A whale wrapped in striped fabric: a pseudo straightjacket. These are the messes climate change leaves behind, the things we know are happening but often don’t have the opportunity to see with our own eyes. Swiss street art duo Christian Rebecchi and Pablo Togni, otherwise known as NeverCrew, met in art school when they were 15 and started making work together soon after. As a team, the artists adorn the world with eye-popping and gut-wrenching images depicting the consequences of humanity’s actions on earth. (Photo by NeverCrew/The Huffington Post)

This photo released Saturday March 22, 2014 by Stichting Ambulance Wens or Ambulance Wish Foundation shows a giraffe at Blijdorp Zoo in Rotterdam giving a lick to terminally ill Mario Eijs on Wednesday March 19, 2014. The Stichting Ambulancewens “Ambulance Wish Foundation” offers transport for terminally ill patients who cannot walk to help fulfill a last wish, in Eijs' case to be taken to the Blijdorp Zoo in Rotterdam where he worked doing odd jobs for 25 years. Eijs, who has a mental handicap, is dying of a brain tumor and has difficulty walking or speaking. (Photo by AP Photo/Stichting Ambulance Wens)

People work with cocoa beans in Enchi June 17, 2014. Picture taken June 17, 2014. Ghana emerged as a success story during the 2000s, when war, political instability and a disastrous liberalization brought Ivory Coast's cocoa sector to its knees. Ghana's output more than tripled from 340,000 tons in the 2001/02 season to a record 1,025,000 tons a decade later. Strict controls cemented its reputation as a producer of top quality beans, establishing a brand that fetches a premium. (Photo by Thierry Gouegnon/Reuters)