Mount Sinabung volcano erupts, as seen from Tiga Pancur village, Karo Regency in Indonesia's North Sumatra province October 8, 2014. (Photo by Y. T. Haryono/Reuters)
Women sunbath as Ferrari's Brazilian driver Felipe Massa drives past during the third practice session at the Circuit de Monaco in Monte Carlo on May 25, 2013 ahead of the Monaco Formula One Grand Prix. (Photo by Alexander Klein/AFP Photo)
Inflatable dolls in the shape of ducks are seen in front of the National Congress during a protest against tax increases in Brasilia, Brazil, March 29, 2016. The campaign “I will not pay the Duck” is organized by the Federation of Industries of Sao Paulo (FIESP) and uses the duck symbol in reference to industries that pay high taxes. (Photo by Gregg Newton/Reuters)
Cheng Chen (R), a 27-year-old worker at a state-owned enterprise, poses for a photograph with his nephew who is wearing his home-made Iron Man armour, in Xuzhou, Jiangsu province April 13, 2015. It cost Cheng about 500 yuan ($81 USD) to make the armour, which weighs about 4 kilograms, with plastic boards and LED lights, local media reported. (Photo by Reuters/Stringer)
In this April 4, 2014 file photo, a community policeman kicks a man who they alledge participated in an ambush against them near the town of La Concepcion, Mexico. The vigilante force was set-up by affected communities opposed to the construction of the La Parota hydroelectric dam. Two vigilantes were injured and one died. (Photo by Bernandino Hernandez/AP Photo)
A policeman controls traffic at 42nd Street and 7th Avenue as New York City remains without electricity caused by a blackout that affected the entire city and most of the eastern part of the nation August 15, 2003 in New York, New York. More than 50 million people were affected by the outage, in Toronto, Detroit, Cleveland and New York City. (Photo by Jose Jimenez/Primera Hora/Getty Images)
Margaux Lange’s Plastic Body Series art jewelry collection utilizes salvaged Barbie doll parts in combination with sterling silver and pigmented resins. The series is a result of Lange’s desire to re-purpose mass produced materials into handmade, wearable art. It is meant to examine and celebrate her own as well as pop culture’s relationship with the icon known simply as: Barbie