A woman carrying a bundle on her head wait in line to cross the border into Colombia through the Simon Bolivar bridge in San Antonio del Tachira, Venezuela, Sunday, July 17, 2016. Tens of thousands of Venezuelans crossed the border into Colombia on Sunday to hunt for food and medicine that are in short supply at home. It's the second weekend in a row that Venezuela’s government has opened the long-closed border connecting Venezuela to Colombia. (Photo by Ariana Cubillos/AP Photo)

A passenger (C) climbs through the window of an overcrowded bus as limited public transportation operates in the city during the ongoing fuel crisis in Kathmandu, Nepal October 9, 2015. Nepal is considering air-lifting fuel, possibly from Bangladesh, as supply routes from India stay blocked by protesters opposing its new constitution, a short-term solution ahead of a key festival even as the government talks to China for help. (Photo by Navesh Chitrakar/Reuters)

Kelsey Smith of New Zealand gets her stick caught on the shorts of Hollie Pearne-Webb of England during Women's Semi Final Hockey match between England and New Zealand on day eight of the Gold Coast 2018 Commonwealth Games at Gold Coast Hockey Centre on April 12, 2018 on the Gold Coast, Australia. (Photo by Matt King/Getty Images)

Andrea Falaschi, the artist who made these creepy Lovecraftian bottles comes from Italy and as he states in his short bio he was born in ’86, during the months of the Chernobyl radiation accident – that changed forever his genes, turning him into a monstrous creature who still lives in a shell of human flesh. Andrea Falaschi is a self-taught sculpturer and painter.

Eduardo Salles (Mexico City, 1987) is advertiser, designer, illustrator, writer and professor at the Miami Ad School. And a professional procrastinator!, he says. Ex Creative Director of Nike, Kit Kat and Red Cross Mexico. He has won awards as diverse as Cannes Lions (advertising), Walter Reuters prize (journalism) and Juan Rulfo Short Story Award (literature).

“Asaro from the Eastern Highlands”. The mudmen could not cover their faces with mud because the people of Papua New Guinea thought that the mud from the Asaro river was poisonous. So instead of covering their faces with this alleged poison, they made masks from pebbles that they heated and water from the waterfall, with unusual designs such as long or very short ears either going down to the chin or sticking up at the top, long joined eyebrows attached to the top of the ears, horns and sideways mouths. (Photo and caption by Jimmy Nelson)

Sunrise over a moor viewed from Littaford Tor, Dartmoor, UK, 2016. Autumn visits the windswept moors and granite tors of Dartmoor earlier than the rest of the south-west. While there aren’t many trees here, autumn shades appear in golden ferns and tan heather. Littaford Tors, near Two Bridges and a mile from Princetown, is a short walk and can be combined with a visit to the adjacent Wistman’s Wood. (Photo by Stuart Holmes)

For her series “Japanese Whispers”, Belgian photographer Zaza Bertrand headed inside the intimate world of rabuhos – Japanese love hotels. Love hotels became popular in Japan from the 1960s onwards, due to a lack of privacy in many family homes. There are now around 37,000 of these hotels in Japan, allowing short daytime “rests” or overnight stays. (Photo by Zaza Bertrand/The Guardian)