“The Supercell”. This shortlisted image by Dennis Oswald Huge farmland of was taken in south-west Oklahoma, US. (Photo by Dennis Oswald/2019 Weather Photographer of the Year/RMetS)

“Alice in Waterland” is a beautiful series of photographs re-imagining the Lewis Carroll classic underwater. It’s a creation of photographer Elena Kalis, who lives on a small island in The Bahamas, surrounded, she says, “by pristine clear warm water. Underwater is where I spend a lot of time; snorkeling, diving, photographing. It is fascinating how the world changes down below: light, sound, gravity and proportions are different from what we are used to”. (Photo by Elena Kalis)

First place, Portrait. Three flat-coated retrievers – Crew, Darcie and Pagan – by Carol Durrant from the UK. (Photo by Carol Durrant/Dog Photographer of the Year 2018)

The German Society for Nature Photography (GDT) has selected its Nature Photographer of the Year 2020. Here: Winner, Other animals. Jens Cullmann – Danger in the Mud. Crocodile in a drying pool. (Photo by Jens Cullmann/2020 GDT Nature Photographer of the Year)

A creative Dad brings family-favourite cartoon characters to life by putting them into hilarious situations. You would be forgiven for thinking that the following images are created using Photoshop – but complete with real fire and coffee splashes, Mitchel Wuís images are all shot in real-time. Using plastic toy characters from family-favourite films such as Toy Story, Star Wars, ET and The Muppets, the California-based photographer puts the plastic characters into surreal situations. (Photo by Mitchel Wu/Barcroft Images)

Aurora Australis from Beerbarrel Beach, by James Stone. Runner Up: Aurorae. (Photo by James Stone/Astronomy Photographer of the Year)

Birds behaviour winner: Land of the Eagle by Audun Rikardsen, Norway. High on a ledge, on the coast near his home in northern Norway, Rikardsen carefully positioned an old tree branch that he hoped would make a perfect golden eagle lookout. To this, he bolted a tripod head with a camera, flashes and motion sensor attached, and built himself a hide a short distance away. From time to time, he left road‑kill carrion nearby. Very gradually – over the next three years – a golden eagle got used to the camera and started to use the branch regularly to survey the coast below. (Photo by Audun Rikardsen/2019 Wildlife Photographer of the Year)