In this Sunday, March 5, 2017, photo, hospitality staff take souvenir photos in front of the Great Hall of the People where the National People's Congress is held in Beijing. (Photo by Andy Wong/AP Photo)

A person takes a photo of the skyline with the Shard building in the center, at sunset, from Greenwich Park in London, Tuesday, November 24, 2020. (Photo by Yui Mok/PA Wire via AP Photo)

Brazilian supermodel Adriana Lima walks the runway during the 2025 Victoria's Secret Fashion Show in New York City, U.S., October 15, 2025. (Photo by Brendan McDermid/Reuters)

Female members of the Colombian Army take part in the military parade to commemorate Colombia's Independence Day in Bogota on July 20, 2024. (Photo by Alejandro Martinez/AFP Photo)

A Palestinian woman pulls a stroller with children, next to piles of rubble, during a rainy day in Gaza City,on November 25, 2025. (Photo by Mahmoud Issa/Reuters)

A dancer poses for a photograph as part of the “Dance as Art” photo project in Times Square in New York, on September 22, 2014. (Photo by Carlo Allegri/Reuters)

Photographer and former dancer Jesús Chapa-Malacara, head of art production company fotosjcm, announces the launch of Esprit de Corps, an innovative book of ballet photography unlike any seen before. The high-end art book, currently being independently financed and offered exclusively through a Kickstarter campaign, will feature world-class dancers from top ballet companies, including Michaela DePrince of Dutch National Ballet, Jared Matthews and Yuriko Kajiya of American Ballet Theatre, among others.

The Mano de Desierto is a large-scale sculpture of a hand located in the Atacama Desert in Chile, 75 km to the south of the city of Antofagasta, on the Panamerican Highway. The nearest point of reference is the “Ciudad Empresarial La Negra” (La Negra Business City). The sculpture was constructed by the Chilean sculptor Mario Irarrázabal at an altitude of 1,100 meters above sea level. Irarrázabal used the human figure to express emotions like injustice, loneliness, sorrow and torture. Its exaggerated size is said to emphasize human vulnerability and helplessness. The work has a base of iron and cement, and stands 11 metres (36 ft) tall. Funded by Corporación Pro Antofagasta, a local booster organization, the sculpture was inaugurated on March 28, 1992.