Children of a vendor pose with demon-masks to be hung outside homes believed to ward off negative energy during a government-imposed nationwide lockdown as a preventive measure against the COVID-19 coronavirus, at a roadside stall in Hyderabad, on April 18, 2020. (Photo by Noah Seelam/AFP Photo)

Steven Busulwa, an animal keeper, runs away from a charging rhino at the Uganda Wildlife Conservation Education Center (UWEC) amid the lockdown as part of the measures taken to prevent the spread of the coronavirus disease (COVID-19), within Wakiso district, in Entebbe, Uganda on April 20, 2020. (Photo by Abubaker Lubowa/Reuters)

Mothers-to-be show their belly paintings in Hefei, east China's Anhui province on May 8, 2020. (Photo by Rex Features/Shutterstock/China Stringer Network)

A National Guard member mounts guard as a man exercises during a rally against George Floyd death in Minneapolis police custody, in Los Angeles, California, U.S., June 2, 2020. (Photo by Mike Blake/Reuters)

A cemetery worker dig new graves at the Xico cemetery on the outskirts of Mexico City, as the coronavirus disease (COVID-19) outbreak continues in Mexico, June 10, 2020. (Photo by Edgard Garrido/Reuters)

A youth dives into a crater filled with water in Aleppo's al-Shaar district, in this July 10, 2014 file photo. (Photo by Hosam Katan/Reuters)

A fox runs out onto the pitch before the start of the second half. Celtic League 2012/13, Round 19, Leinster v Ulster, RDS, Ballsbridge, Dublin, March 30, 2013. (Photo by Paul Mohan)

An artwork entitled “Are you still mad at me?” by John Isaacs is displayed at the Death: A Self-portrait exhibition at the Wellcome Collection on November 14, 2012 in London, England. The exhibition showcases 300 works from a unique collection by Richard Harris, a former antique print dealer from Chicago, devoted to the iconography of death. The display highlights art works, historical artifacts, anatomical illustrations and ephemera from around the world and opens on November 15, 2012 until February 24, 2013. (Photo by Peter Macdiarmid)