American model Emily Ratajkowski and Vanessa Hudgens attend the 73rd Annual Tony Awards at Radio City Music Hall on June 09, 2019 in New York City. (Photo by Mike Coppola/Getty Images for Tony Awards Productions)

A model walks along the Edge observation deck in the city’s Hudson Yards district on World Photography Day in New York on August 19, 2023. (Photo by Lev Radin/Pacific Press/Rex Features/Shutterstock)

Paul Taylor Dance Company dancers Alex Clayton and Lisa Borres perform a scene from “Fibers” during a dress rehearsal on June 14, 2022. The Paul Taylor Dance Company (PTDC) will be at the Joyce June 14-19, 2022, with dances featuring early works choreographed by Paul Taylor. (Photo by Timothy A. Clary/AFP Photo)

Models turned into “humanoid” robots pose on a train at Waterloo Station on October 2, 2016 in London, England for the launch of new Sky Atlantic TV drama Westworld. (Photo by Matt Alexander/PA Wire)

In this September 9, 2018 photo, a diver holds onto his catch of lobsters during a fishing journey in the Miskito coast near Cay Savannah, Honduras. A diver makes 75 lempiras ($3) per pound of lobster. An average 10-pound daily haul of lobster is a windfall for people in one of the most impoverished regions of the Americas, so many take the risk, and many suffer for it. (Photo by Rodrigo Abd/AP Photo)

An Iranian man sells colorful ropes at the Tehrans old Bazaar, the place where the main economy trades take place, in Tehran, Iran, 25 January 2016. Reports state that Iranian officials expected the Iranian economy to grow on an average of eight percent over the coming five years following the lifting of sanctions against Iran. (Photo by Abedin Taherkenareh/EPA)

“Woman with Umbrella in Rain” by Raimund von Stillfried. Artist: Kusakabe Kimbei (Japanese, 1841–1934), 1870s. Commercial photography studios in Meiji-era Japan were renowned for the subtlety and refinement of their coloring techniques. This hand-tinted image of a young woman caught in a heavy rainstorm achieved its naturalistic effect by knitting together multiple strands of artifice: the greenery in the foreground was a studio prop; the flaps of the kimono were suspended by thin wires to create the impression of a strong wind; and long, diagonal marks were made on the negative to suggest streaks of rain. (Photo courtesy of The Metropolitan Museum of Art)

American actress Raquel Welch on a balcony overlooking a street in London, 1970. (Photo by Evening Standard). P.S. All pictures are presented in high resolution.