First lady Michelle Obama (R), joined by daughters Sasha Obama (C) and Malia Obama, is presented with the official White House Christmas Tree on November 25, 2011 in Washington, DC. The tree, a 19-foot-tall balsam fir, was grown on Schroeder's Forevergreens farm near Neshkoro, Wisconsin. (Photo by Brendan Hoffman/Getty Images)

A man admires a sculpture in the series entitled 'Circle of Animals/Zodiac Heads' by Chinese artist Ai Weiwei in the courtyard of Somerset House on May 11, 2011 in London, England. The installation comprises of 12 bronze heads of animals which feature in the Chinese zodiac. The artist Ai Weiwei, who is outspoken in his criticism of the Chinese administration, was detained by authorities in Beijing on April 3, 2011 and his whereabouts remain unknown.

A girl walks in front of a graffiti painted on the wall of a house located inside the 15th-century complex built by Mameluk Sultan al-Ashraf Qaitbey, in Cairo's City of the Dead, Egypt February 13, 2017. (Photo by Amr Abdallah Dalsh/Reuters)

A woman whose family members are trapped under rubble wails after a landslide washed away houses in Raigad district, western Maharashtra state, India, Thursday, July 20, 2023. While some people are reported dead many others feared trapped under piles of debris. (Photo by Rafiq Maqbool/AP Photo)

A participant with a face painted as popular Mexican figure “Catrina” attends the Day of the Dead event at a National house for Mexican fans in central Moscow, a host city for the 2018 FIFA World Cup, Russia June 29, 2018. (Photo by Sergei Karpukhin/Reuters)

Frander Arroyo, select wings of butterflies at Blue Morpho Butterfly House in Alajuela, Costa Rica, March 10, 2016. According to Arroyo, owner of Blue Morpho Butterfly House, he collects dead butterflies from his garden to mount as handicraft like earrings, necklaces, paintings and rings for export with prices ranging from $12 to $16 a piece. (Photo by Juan Carlos Ulate/Reuters)

“Natural History” is a series of completely candid single exposure images that merge the living and the dead to create allegorical narratives of our troubled co-existence with nature. Ghost-like reflections of modern visitors viewing wildlife dioramas are juxtaposed against the antique taxidermied subjects housed behind thick glass, their faces molded into permanent expressions of fear, aggression or fleeting passivity. After decades of over-hunting, climate change, poaching and destruction of habitat, many of these long dead diorama specimens now represent endangered or completely extinct species”. – Traer Scott. (Photo by Traer Scott)