North Korea has closed its borders in fear of the spread of the Ebola virus. But at a time when the secretive state was still welcoming tourists, former aid worker Andrew Macleod made the journey to the repressive nation. Andrew's holiday snaps and camera footage provide a unique insight into the reclusive country, where he came across deserted motorways, metro stations plastered with propaganda and attractive border guards. Here: a female traffic police officer in the snow in February 2013, in Pyongyang, North Korea. (Photo by Andrew Macleod/Barcroft Media)

Farhad Moshiri, an Iranian artist working a lot with carpet media using it as a mean to joke about consumerism culture, was one of the participants of the group show Love Me Love Me Not of Yarat! pavilion curate by Dina Nasser-Khadivi (read on her curating Lalla Essaydi's Harem here) at Venice 2013 Art Biennial. The installation consists of more than 500 carpets depicting celebrities-covered magazines from all over the world.

The happy egg co. has released its annual cockerel pin-up calendar: “Nice Pecks” – with an egg-streme sports edition. Taking inspiration from upcoming sporting events and the world of extreme sports, the 2015 calendar stars 12 rad roosters with a penchant for adrenaline highs in a range of high octane sporting scenarios including jumping off slopes, riding gnarly waves and snowboarding. Here: “Nice Pecks” calendar: Snowboarding. (Photo by The happy egg co.)

High-flying photographer Jeffrey Milstein, renowned for his aerial photos of US cities, snaps landmarks through the open door of a helicopter. This month he hired a chopper in London and amazingly he had just an hour to cover all the buildings he wanted to capture including Buckingham Palace, the London Eye, the glass roof of the British Museum and the Gherkin and Walkie Talkie towers in the City. Here: Jeffrey Milstein captured these stunning images through the door of a helicopter hovering over central London. (Photo by Jeffrey Milstein/Rex Features/Shutterstock)

With the humpback calving season drawing to a close, here’s a look at some of Rita Kluge’s distinctive marine photos from the south Pacific. The Sydney-based photographer fell in love with whales after witnessing southern rights from the New South Wales coastline as they travelled to and from their feeding grounds in the Antarctic. She has since been to Tonga, where humpbacks breed and calf in winter months, to photograph them in the water. (Photo by Rita Kluge/The Guardian)

Joshua Hoffine, based in Kansas City, Mo., and a self-proclaimed “Horror Photographer”, is interested in the psychology of fear. In his project “After Dark, My Sweet”, Hoffine’s surreal and staged images render these fears visible with the “visual grammar of a child”. Through elaborate sets, costumes, makeup and fog machines, Hoffine’s children act out these terrifying scenes in front of his camera. Here: “Basement”. (Photo by Joshua Hoffine/The Washington Post)

Stunning silhouettes under European cities reveal the size and splendor of the continent’s urban foundations. Photographer and content-manager Anna Arinova, 28, from Moscow, captured the awe-inspiring labyrinths in Russia and Germany. Here: Regenwurmlager, Poland. The Regenwurmlager is an extensive underground fortification area constructed by Germany in 1920s-1940s, now in western Poland, near the city of Międzyrzecz. (Photo by Anna Arinova/Caters News)

Elena Chernyshova's vision of Norilsk, Russia, the northernmost city in the world, is a series of surprises by which she extracts otherworldly beauty from ugly realities. Here: 2013. A woman is visible through a narrow passageway between two buildings. Norilsk's urban spaces were designed to shorten distances around large developments and give residents maximum protection from arctic winds. (Photo by Elena Chernyshova)